Hi Mike I thought the only restrictions were the amount of Mike positions and articulations This compares all three but I dont know why that is not working for you .So you are NOT dumb nor is their a restriction lol H https://www.spitfireaudio.com/bbcso/#compare
Last edited by Hugh2; 06/05/2002:31 AM. Reason: miised a word
Re BBC Symphony Orchestra Discover, I can't get the velocity to make a difference to the sound. Whether the velocity is at 127 or 0 the volume is the same. Is this a restriction of the free version or I am being dumb? Mike
Mike - I think you need to use Modulation to change the volume (at least that is what I had to do...)
Thanks Floyd. I used the volume nodes (under each on track in RealBand) to change the volume in the BBC Discover, but with other instruments,I can adjust the power/impact of the notes by adjusting the velocities. Cheers, Mike
Thanks Floyd. I used the volume nodes (under each on track in RealBand) to change the volume in the BBC Discover, but with other instruments,I can adjust the power/impact of the notes by adjusting the velocities. Cheers, Mike
I'm not very "MIDI-fluent"... but I think it is a matter of what a VST designates as the properties of the available CC control. In the video of Guy M demonstrating Discover, he mentions that the Mod wheel (or CC 7 ) controls volume (I don't know what CC7 usually does??). I found that the velocity did me no good either...
Thanks Floyd. I just drew some rises and falls in CC1 (the mod wheel) and it seems to work better (not as abruptly) as the volume nodes (CC7). There are some velocity settings when you click on the three dots on the Discover interface but they don't seem to make any obvious difference. I'll keep experimenting. Thanks again for your help. Stay well, Mike
Many brass, woodwinds, and orchestral VSTis us the Mod wheel (CC1) for expression. Expression changes the volume setting based on the main volume (CC7). If CC7 is set to 127, the loudest setting, then the expression (it can be either a Mod wheel, foot pedal, or and other assignable MIDI like a slider or knob) range is from 0 - 127, i.e. no volume to max volume.
But if CC7 is set to say 90 then although the expression range is still from 0 - 127 the volume at 127 is set by the CC7 volume. In other words in this example an expression value of 127 is equal to the CC7 value of 90.
The reason for expression. If you need to raise the track volume and you used CC7 to change the volume you would need to raise each and every volume node. If you used expression for volume changes then all you need to do is to raise the CC7 volume, which should be a straight line through out the track, and the expression nodes will follow proportionally. Much easier and faster.
Apparently BBC Symphony Orchestra Free Version is not influenced by velocity; I don't know for sure as I am still waiting for mine. I do know that the sounds are one layer each so no matter what the velocity is the sound will be the same. In multi layer sounds one will get a slightly different tonal quality with each velocity range. For instance a velocity range of 0-50 may yield a soft sound with soft transients and a 100-127 range would yield a louder sound with many hard transients. This of a trumpet played softly then very loudly.
I hope this makes some sense.
Doc-take it easy John this is just a sharp scalpel. It will not cut deep so don't worry. Me-I'm not John Doc-I know, I am!
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
Thanks Mario. I must admit I haven't used expression much. I tend to use the volume controller CC7 or the volume nodes underneath each track (CC87). And velocity of course. I think you will enjoy the Discover when it arrives. It has great sounds and so many instruments. Cheers, Mike
Re BBC Symphony Orchestra Discover, I can't get the velocity to make a difference to the sound. Whether the velocity is at 127 or 0 the volume is the same. Is this a restriction of the free version or I am being dumb? Mike
The velocity is NOT restricted in the free version. It appears to be fully functional as needed. Here is illustration of my "velocity sensitive" keyboard for a section of soft and hard keystrokes. But has been mentioned, there is no impact to what you hear from velocity since there is only a single level. I guess that may be considered a limitation. Therefore if you want loader or softer you need to use the mod wheel which does impact volume?
Re BBC Symphony Orchestra Discover, I can't get the velocity to make a difference to the sound. Whether the velocity is at 127 or 0 the volume is the same. Is this a restriction of the free version or I am being dumb? Mike
The velocity is NOT restricted in the free version. It appears to be fully functional as needed. Here is illustration of my "velocity sensitive" keyboard for a section of soft and hard keystrokes. But has been mentioned, there is no impact to what you hear from velocity since there is only a single level. I guess that may be considered a limitation. Therefore if you want loader or softer you need to use the mod wheel which does impact volume?
I think the guys have covered this pretty well.
Dan is correct. Velocity not only does not change volume it also does not change timbre,i.e. it is the same sound regardless of velocity or volume. The mod wheel will slightly adjust the volume via expression, CC11. Note this is generally the rule for all free or entry level sound sources.
If one is looking for large volume changes, crescendos, or diminuendos using a DAW is the best option.
Doc-take it easy John this is just a sharp scalpel. It will not cut deep so don't worry. Me-I'm not John Doc-I know, I am!
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
I got my download email today. Upon downloading the installer Windows Defender came up with a message window strongly suggesting to not run the installer??? It says it is malicious.
Has anyone experienced this? Flipped me out for sure.
Mike
Last edited by mbsmike; 07/08/2007:39 PM.
Focusrite 2i2 2nd Gen Windows 10 pro 1709 16299.125 Intel core i7 6700k CPU @ 4.00GHz 4.01 GHz 16 gig memory BIAB UltraPak version is 2025 (Latest) Cubase pro 9
Here's a video describing the template written for Reaper. There are templates for several DAWs. They're all on the Spitfire site. The Reaper one is listed in the video.
I got my download email today. Upon downloading the installer Windows Defender came up with a message window strongly suggesting to not run the installer??? It says it is malicious.
Has anyone experienced this? Flipped me out for sure.
Mike
Installed several weeks ago and can't say I remember this happening. If it did happen I would have scanned the file with another AV app. Or I would have downloaded a second time and then double scanned. Good luck.
I got my download email today. Upon downloading the installer Windows Defender came up with a message window strongly suggesting to not run the installer??? It says it is malicious.
Has anyone experienced this? Flipped me out for sure.
Mike
I did not get that message. I would contact Spitfire Audio and tell them what happened. It may be a false positive or their server got infected.
Doc-take it easy John this is just a sharp scalpel. It will not cut deep so don't worry. Me-I'm not John Doc-I know, I am!
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
Band-in-a-Box 2025 für Windows Deutsch ist verfügbar!
Die deutsche Version Band-in-a-Box® 2025 für Windows ist ab sofort verfügbar!
Alle die bereits die englische Version von Band-in-a-Box und RealBand 2024 installiert haben, finden hier die Installationsdateien für das Sprachenupdate:
Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!
Already using Band-in-a-Box 2025 for Windows®? Download Build 1128 now from our Support Page to enjoy the latest enhancements and improvements from our team.
Already using RealBand® 2025 for Windows®? Download Build 5 now from our Support Page to ensure you have the latest enhancements and improvements from our team.
PowerTracks Pro Audio 2025 is here! This new version introduces many features, including VST3 support, the ability to load or import a .FLAC file, a reset option for track height in the Tracks window, a taller Timeline on the Notation window toolbar, new freeze buttons in the Tracks window, three toolbar modes (two rows, single row, and none), the improved Select Patch dialog with text-based search and numeric patch display, a new button in the DirectX/VST window to copy an effects group, and more!
First-time packages start at only $49. Already a PowerTracks Pro Audio user? Upgrade for as little as $29!
Video: Summary of the New Band-in-a-Box® App for iOS®
Join Tobin as he takes you on a tour of the new Band-in-a-Box® app for iOS®! Designed for musicians, singer-songwriters, and educators, this powerful tool lets you create, play, and transfer songs effortlessly on your iPhone® or iPad®—anytime, anywhere.
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.