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Quote:

If you use a jazz Real Style, the players will do what they will do. In fact, I've noticed that if you type in, say, G13, the piano or guitar may play just G9. If you type in, say, Fmaj7, the guitar may be playing a F6. Regardless, they are immune to the chord-sub overrides. Which makes perfect sense to me.


This sometimes poses a bit of a challenge for me as a composer, when I really would like to hear the exact chord I wrote, at least in the first chorus. For this reason, I generally compose using MIDI piano and guitar until the song is nearly done, then switch to Real Tracks.

Most of the time, this works great, except when a chord doesn't seem to be supported in a particular Real Track. For example, a few of the Real Track pianists do not recognize a mMaj7 chord, and just drop out when that chord comes up. I've reported that, and it's getting better with each new update.

BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.