Thanks so much for explaining! Yes, BIAB is well-suited to that - to see where the chords and counterpoint (is that the right word?) go when one uses it to write. I can do some good things with it, but your stuff sounds almost Debussy-esque or something with the unexpected chord progressions it has. No other way to do it except (more) practice from me on these areas of writing ... but it's good to know that you approach it the same way as I do. Thanks for sharing!

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