Yeah.... my sense of intonation is a curse. I can hear things out of tune that others can't.

There was a show on TV Saturday night honoring Mac Davis as a writer and I swear that every singer in the place was either sharp or flat from the band. I don't know which was more of an affront to my ears.... the sharp ones or the flat ones. Of course also in consideration, many of those singers on the show were stars 30 years ago and probably haven't sang much in the last decade or so...... cutting slack where it's probably due.

The cool thing about melodyne is that you don't have top rely on your ability to hear things that are off. It will show you the slightest deviation from the mean. I can look ahead and see things coming that I know are going to need fixing.

Used correctly, melodyne can actually help you become a better singer because it shows you what you're actually doing. Holding back, forcing, drifting.... etc.

You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.