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Joined: Apr 2018
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A song about lost love and wishing I could have handled it better https://soundcloud.com/user-630435717I'm The One To Blame******************* Style is _CHILPOP.STY (Electronic Chillout Pop) Style MIDI Instruments are : Finger Electric Bass (34), Acoustic Piano (1), RealTracks in style: 1004:Guitar, 12-String Acoustic, Rhythm ClassicRockStrumming Ev16 065 RealTracks in style: 1542:Piano, Acoustic, Rhythm PopBelieve Ev16 065 RealDrums in Song: PraiseWorshipShine^03-a:Kick, HiHat , b:Snare, HiHat Slightly Open Each track exported from BiaB individually into Mixcraft and from there EQ messed. The electric guitar solo was the only instrument 'played' by me and was recorded inside Mixcraft with Compression, distortion and reverb added. Vocals have compression and reverb. Mastered by a friend but I've no idea what he did. ******************* Lyrics V1 I saw your train pull out from the station back in June I watched it disappear into the distance Now the winter's crept in slowly there's frost upon the window Through which I stare, but you're not there V2 I read your letter often to try and understand What I said or did to make you go back to Versailles And I look back on that summer before you went away This is the bottom line, the sun don't shine Chorus Cos I've not see the sun since you went away Summer through to winter just the same The sun no longer shines, they're all just cold, dark winter days That remind me daily I'm the one to blame Bridge Goodbye my angel, there are other worlds to fly. If time’s a healer, why is there no change as it goes by? My memories don’t fade, I can’t see how they’ll erase. This is the life I’ve made, vous êtes allé V3 The day before I wrote this was grey just like the one Before it and the one before that too My world is never changing, no colour sun or you Why did you have to go and stop the show? Copyright John C Williams 2018 Comments welcome
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Joined: Mar 2018
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John, Very good composition, lyrically and musically! Excellent vocals. Listens very well. Mix is very solid also, however since you are open to comments, vocals are a bit on high frequency to my ears. Perhaps D-esser will smooth edges? Just opinion of average ear  Thank you for sharing. Misha.
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Joined: Apr 2016
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Your voice makes the song sound like The Lightning Seeds...the melody & melancholy lyrics enhance that.
I's have preferred the solo up the centre.
Your vocal is a little too low in the mix and definitely needs the sibilant stuff addressed.
Cool stuff.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Joined: May 2020
Posts: 1,572
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Expert
Joined: May 2020
Posts: 1,572 |
Hello J. Williams,
Nice lyrics. Your voice allows us to enter the atmosphere you wanted to create. Very sensitive melody from these harmonics and this well-paced piano.
Kindly regard
Dero13
alias JaniJackFlash
Kindly regards
Derochette
alias JaniJackFlash
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Joined: Jan 2020
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Expert
Joined: Jan 2020
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Nice!
Airy vocals fit well.
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Joined: Feb 2017
Posts: 3,414
PG Music Staff
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PG Music Staff
Joined: Feb 2017
Posts: 3,414 |
Nice work - really liked the lyrics, and thought your vocals delivered them perfectly. A very atmosphere tune, definitely has a melancholic vibe to it which I'm personally drawn towards. Thanks for sharing
Cheers,
Deryk
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Joined: Feb 2010
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Good song, vocals were good but felt like they either needed to be louder or processed differently to bring them out more. A fine effort overall.
Windows 11, Intel Core I5 10400, 16 gig ram, Scarlett 2i2, Sony Acid Music Studio 10, BIAB 2020 UltraPlus Pak
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John,
A well constructed song with strong vocals and a consistent down but not out feel.
Some good comments by others on the vocal processing.
I enjoyed the introduction to your music!
Robert
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I like this song! Lyrics, melody, instrumentation, and vocal.
Keep 'em coming.
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John
Welcome to the forum.
Nice first post - very melodic and well performed, with some nice chord changes and dynamics.
Vocals could come up a bit (and the start of the solo as well).
Excellent work.
Peter
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Joined: Dec 2013
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A nice song and good band for it!! You sing it well, but I feel your vocal is a bit too buried in the mix. Some really nice emotion in this!! Enjoyed!! Take care. Greg
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Thanks for all the comments and I apologise for leaving it so long to reply. A bit of time off work at Christmas has helped me get round to a lot of things that needed attending to.
The guy who did the mastering did mention sibilance and worked on that, but maybe there was a limit on how much he could do with the raw product.
Your comments have encouraged me.
Thanks again
John
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Welcome to the forum. Very cool vocal and lyric. Look forward to hearing more of your tunes. Well done
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John,
Overall, I really like the sound and feel of this one. Musically, the instrumental sounds really solid to me. Very strong chorus and like that lead solo before the bridge. You’ve already received some good feedback on the vocal—I’d generally agree with most of that, and particularly that the vocal needs to come forward a bit. Good stuff!
Have a Happy New Year.
Deej
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Very nice song John! Great job on the vocal (maybe could use a boost). Loved that intro and clever little melodic twists in the chorus! Welcome aboard! T
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Absolutely enjoyable, great mix of the instruments, perfect drive, excellent vocal delivery, although vocals could sit slightly more forward in the mix.
There really is a lot to like about this composition and production.
Well done.
BIAB & RB2026 Win.(Audiophile), Windows 10 Professional & Windows 11, Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors
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Solid composition, good production… I’ll leave comments on the mix up to my forum friends who are more proficient in that area.
I do have some feedback on two fronts: first, I think that the transition from verse two into the chorus should have some more differentiation, for example a change in the drum track or percussion to set it off for the ear.
Secondly, I have kind of a problem with the lyric. If I wasn’t reading it, I would be quite confused by your use of the word “Versailles” and the little French phrase at the end of the bridge. Without seeing the words, and just using the ear, I’m not sure that the listener would pick up what you have written. A suggestion might be to change the title of the song to that little French phrase, or make a subtitle, in parentheses, something like “What I lost in Versailles”… That way, you give the listener a cue that there was some French content coming up that they should be ready to hear.
Just some friendly feedback aside from my enjoyment of your track!
Windows 11, Intel Core i5-8600T 2.3Ghz, 16 gig ram, BIAB 2025 MegaPak, SampleTank 4, Keystation49 Kybd, Neewer NW-800 mic
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Thanks for the advice, I've changed the title to I'm The One To Blame (What I Lost to Versailles) now. Good idea which I hadn't thought of.
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Cool song!! Nice melody, cool lyrics, and really nice vocal and arrangement!! Has a bit of a Beatles vibe I think....always a good thing in my book! Enjoyed it!! Take care. Greg
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Hi John
Very melodic and engaging, with some nice changes. Enjoyed it.
Regards,
Leon
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
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We've just released XPro Styles PAK 10 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
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Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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