RealTracks in style: 3489:Bass, Electric, SkaPunkPopAB Ev 180 RealTracks in style: 3493:Guitar, Electric, Rhythm SkaFastPop Ev16 180 RealTracks in style: 3494:Guitar, Electric, Rhythm SkaFastPunk Ev16 180 RealDrums [in style:SkaFastPopWes^3-a:Snare Open Hat , b:Snare Ride
******************* I exported the tracks from BIAB and imported into Studio One 4
I used Melodyne to turn the bass into midi, and then I used Trillian for the virtual instrument. I used Superior Drummer to generate a midi from the drum track. (I realize that a lot of the real tracks have midi associated with them, but I've found that often the midi is not exactly the same as the real track.)
On the bass, I used SoundToys EffectRack with LarryG ThunderFunk preset On the guitar solo I played, I used SoundToys EffectRack with EchoBoy Trio Lead On the 2nd guitar, I used CLAGuitars On my vocals, I used a bunch of effects, depending on where I was in the song: TR5British Channel, Ezmix, Doubler2, Doubler4, TR5 Master EQ-432 On the mix itself, I used Basic Vintage Punch from SoundToys Effect Rack ******************
Love & a .45 was born out of the translitic songwriting process. This was my January 2020 submission to my Facebook translitic songwriting group.
I'd like to go back and re-record the vocals, write & record a new guitar part, re-mix, re-master. I might also like to add some ambient sounds similar to what I've done in several of my other songs I've posted here. In my attempt to eliminate some noise from the vocal track, I cut off the ends of some of my words--mostly the "s" at the end of words.
This is still a work in progress, so if you have some suggestions, I'd love to hear them. I think maybe I need to change the quality of my voice in this song. Perhaps it doesn't sound punk enough? Does the guitar solo sound too cheezy? It was another one of those first thought best thought things, and apparently my default guitar playing is stuck in the 80s or so. ;-)
BTW I don't have the video posted to my Todd Russell Hall YouTube account yet, so I'm linking to my TexasFrets YouTube acct. I have several songs on both channels if you're interested in finding more of my music.
Oh, one final thing, I have a DVD of Jean Cocteau's Orpheus. I needed a video for my Facebook group, so I cut scenes from the movie and stitched them together. They very loosely go with the lyrics.
Thanks for watching &/or listening. I really appreciate everyone's wonderful songs they've been sharing on the forum, and I'm thankful for the kind comments and helpful feedback I've gotten on my songs.
This, to my ears, sounds like a really professionally done job. It's not the kind of thing that I first listen to, I must admit; BUT you kept my attention from beginning to end here - despite the repetitiveness of some of the lyrics (not a criticism!). It made me wish to write an upbeat song soon, myself ... and that's a top compliment in my book :-) Thanks so much for sharing this, would love to hear more!
Good song but all the vocals are WAY too far forward in the mix. Yes, the solo sounds like a 70s Styx/Toto/Boston sound - doesn't fit too well. The kick drum is VERY clicky even in the full band mix...you should be able to deal with that now it's MIDI. I'm not sure the MIDI bass VI works too well - it has no aggression of pick attack. I like the vocal for the most part...retracking should be fine if you need to. the "femme" vox work really well. The general guitar tone isn't much chop - but I have noted that BIAB "punk" guitars are mainly distorted semi metal tones. The ska ones are usually better but they seem pretty dirty in this. You might get a better result with other, cleaner, guitars and some added overdrive. The vocal style and treatment reminded me more of rockabilly than ska punk. Excellent song.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
Video is certainly compelling and the music is snappy and punchy. I'm not sure they go together though. Watching gave an uneasy feeling of dissonance. If that was the intent, job well done.
This, to my ears, sounds like a really professionally done job. It's not the kind of thing that I first listen to, I must admit; BUT you kept my attention from beginning to end here - despite the repetitiveness of some of the lyrics (not a criticism!). It made me wish to write an upbeat song soon, myself ... and that's a top compliment in my book :-) Thanks so much for sharing this, would love to hear more!
Thanks, James, for your kind words. I'm glad the song kept your attention. It's really not the sort of thing I listen to either, but I thought I'd try to shake things up in my Facebook songwriting group. Looking forward to your upbeat song. I'll definitely keep an eye out for it. I've enjoyed your songs I've had a chance to listen to. Cheers, Todd
Good song but all the vocals are WAY too far forward in the mix. Yes, the solo sounds like a 70s Styx/Toto/Boston sound - doesn't fit too well. The kick drum is VERY clicky even in the full band mix...you should be able to deal with that now it's MIDI. I'm not sure the MIDI bass VI works too well - it has no aggression of pick attack. I like the vocal for the most part...retracking should be fine if you need to. the "femme" vox work really well. The general guitar tone isn't much chop - but I have noted that BIAB "punk" guitars are mainly distorted semi metal tones. The ska ones are usually better but they seem pretty dirty in this. You might get a better result with other, cleaner, guitars and some added overdrive. The vocal style and treatment reminded me more of rockabilly than ska punk. Excellent song.
Hi, Ray. I always look forward to your responses. I appreciate the actionable feedback you provide. Yes, listening back, I agree with you about most if not all of this. I probably agree with all but won't know until I've tried your suggestions in a new recording & new mix.
Ha, Boston is the band I was trying to think of when I went back and listened to my guitar solo. My solo is like a very bad version of Boston. ;-) I agree it doesn't fit. Any ideas of who to listen to so I can borrow the feel/territory of their solo?
I'll see about putting another kick drum in. I'll need to listen to it more closely. For the bass, I think I will go back and use EZ Bass to generate midi of the BIAB bass part. EZ Bass seems to do a better job at it than Melodyne. And EZ Bass seems to have more aggressive bass sounds than Trillian, although Trillian just released a new version and might have some new bass models.
I'm glad you thought the "femme" vox worked. It was late the night I recorded this song (and it was due the next day) and I only had my own vocals but wanted some female backing.
I'll give the cleaner guitars a try as you've suggested. Amplitube 5 is coming out any day, so I'll try running the clean guitar through some overdrive in Amplitube.
Thanks again for all your help and encouragement. I'm happy to have your input.
Video is certainly compelling and the music is snappy and punchy. I'm not sure they go together though. Watching gave an uneasy feeling of dissonance. If that was the intent, job well done.
moto
Hi, Moto. Thanks for giving the video a watch/listen. I only had a few hours to turn in my project to my Facebook songwriting group, and many elements in the lyrics suggested Orpheus to me, and this was an easy way to get a cool video together for the group. I think the original movie is pretty dissonant, so perhaps some of that is coming through. Also, my cut of the movie was pretty rushed, so the scenes might not fit the lyrics as well as I'd like. Thanks for bringing up the dissonance though. I'll definitely keep that in mind when I post a new version of the song. I'm glad you found the music snappy and punchy. Thanks again for watching and for your helpful comments. Cheers, Todd
[quote=rayc] Any ideas of who to listen to so I can borrow the feel/territory of their solo? I'll give the cleaner guitars a try as you've suggested. Amplitube 5 is coming out any day, so I'll try running the clean guitar through some overdrive in Amplitube.
For solos and rhythm guitars go to The Clash - nothing later than the London Calling LP though. Rhythm usually a loud fender twin, (suggests more power amp break up than preamp pushing),...that's easily found amongst the VSTs available these days. This bloke dooes good Clash tones using a Vox and an OD pedal for some parts. Les Paulish for one guitar,(humbuckers and less top end) & leads while a teleish for the other side rhythm (single coil bright). All of which is doable in almost any Sim pack https://youtu.be/7i_pA1VhkVA?t=1125 Again, excellent song.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
texasfrets. my comments about your song follow. please take my comments as constructive/in a friendly kind fashion. not intended to upset you. and only for the betterment of the song. cos i know how it feels when someone comments on my own songs. of which ive written loads. sometimes one is so deep in the song itself, its difficult to see the overall picture from other peoples viewpoints. been there , done that a million times. i'm kinda leery commenting on others songs cos i dont want to upset anyone. but i'm commenting on this one cos it grabbed me big time.
1. overall concept. GREAT, and the song has hooks which are very important to success with a wide audience. 2. i have a suggestion for start of song as follows. a. no drums/stick at start. b. start song with a "lonely" guitar all by itself. then BAM , FULL BORE INSTRUMENT TRAKS ONLY ! ALL TRAKS. BAM AND PUNK IT. people love this sorta stuff. thus from quite lonely guitar for a couple of bars THEN BAM FULL BORE ! a typical songwriting trick. then the lead vocs come in. 3. i thought the use of femme vocs a good idea. BUT i would experiment with doubling the lead vocs. you are obviously a good vocallist. but i too found the lead vocs too loud.
i wish you only the very best, and a merry xmas. you are VERY talented imho. the song just needs tidying up imho. i really liked it. muso.
my songs....mixed for good earbuds...(fyi..my vocs on all songs..) https://soundcloud.com/alfsongs (90 songs created useing bb/rb) (lots of tips of mine in pg tips forum.)
[quote=rayc] Any ideas of who to listen to so I can borrow the feel/territory of their solo? I'll give the cleaner guitars a try as you've suggested. Amplitube 5 is coming out any day, so I'll try running the clean guitar through some overdrive in Amplitube.
For solos and rhythm guitars go to The Clash - nothing later than the London Calling LP though. Rhythm usually a loud fender twin, (suggests more power amp break up than preamp pushing),...that's easily found amongst the VSTs available these days. This bloke dooes good Clash tones using a Vox and an OD pedal for some parts. Les Paulish for one guitar,(humbuckers and less top end) & leads while a teleish for the other side rhythm (single coil bright). All of which is doable in almost any Sim pack https://youtu.be/7i_pA1VhkVA?t=1125 Again, excellent song.
Hi, Ray.
Thanks so much for your reply. Thanks for your suggestion of The Clash. I listened to them a lot when I was younger. I'll check them out again with an ear toward their solos & rhythm guitar. I have a Fender Twin in my Amplitube VST & also several Fender Twins in my Kemper. I could reamp the guitar through the Kemper, which would give a more authentic sound, probably.
Thanks for the link. I'll check him out for sure. Thanks again for all your help and your kind words.
texasfrets. my comments about your song follow. please take my comments as constructive/in a friendly kind fashion. not intended to upset you. and only for the betterment of the song. cos i know how it feels when someone comments on my own songs. of which ive written loads. sometimes one is so deep in the song itself, its difficult to see the overall picture from other peoples viewpoints. been there , done that a million times. i'm kinda leery commenting on others songs cos i dont want to upset anyone. but i'm commenting on this one cos it grabbed me big time.
1. overall concept. GREAT, and the song has hooks which are very important to success with a wide audience. 2. i have a suggestion for start of song as follows. a. no drums/stick at start. b. start song with a "lonely" guitar all by itself. then BAM , FULL BORE INSTRUMENT TRAKS ONLY ! ALL TRAKS. BAM AND PUNK IT. people love this sorta stuff. thus from quite lonely guitar for a couple of bars THEN BAM FULL BORE ! a typical songwriting trick. then the lead vocs come in. 3. i thought the use of femme vocs a good idea. BUT i would experiment with doubling the lead vocs. you are obviously a good vocallist. but i too found the lead vocs too loud.
i wish you only the very best, and a merry xmas. you are VERY talented imho. the song just needs tidying up imho. i really liked it. muso.
Hi, Muso. Sorry to take so long to respond. Had some health things going on and took a break from the computer & the internet for a while. I really appreciate your list of suggestions. These are really good things to try. I'm totally open to reworking my song sketches. I particularly like that idea about the sticks and then the lonely guitar. I'll post it again when I've tried some of these changes. Sorry again about taking so long to respond. I really appreciate you taking the time to listen and to give so many good suggestions. Cheers, Todd
Can you offer any information on the title of the Film used in the video...? I'd love to see the movie...
Thanks so much for watching and commenting. I'm glad you liked it.
Yes, the title of the film is Orpheus. It was directed by Jean Cocteau. It's one of my favorite older movies. I imagine you can pick it up on eBay for cheap. If not, here's a really good version of it that's available on Amazon:
I think it sounds great just the way it is!!!......somewhat unusual mix in some ways but sometimes that just works!! GREAT STUFF!! Take care. Greg
I agree with Greg. I would not change a thing. Is this different than most of the posts here? Yes. But it is good and that is all that matters.
Thanks so much, Mario. I'm happy you liked it the way it is. Thanks for your kind words. I might redo it a few different ways when I get time, just to see how it changes things. If I do, I'll post the changes here on the forum.
But if you're going for a more "punk" sound, you might want to listen to this guy:
Originally Posted By: TexasFrets
I think maybe I need to change the quality of my voice in this song. Perhaps it doesn't sound punk enough? Does the guitar solo sound too cheezy? It was another one of those first thought best thought things, and apparently my default guitar playing is stuck in the 80s or so.
You must explain/why this must be...
Ooops, got distracted listening to some cuts from London Calling.
Back to comments...
Vocal: mismatched reverb, too much of it, singing is too smooth. Bass is boomy, not focused. The energy of the vocal is actually lower than the backing track, which is backwards. Keep the energy in the backing tracks, and have the lead singer drink some more espresso.
Guitars think they are playing in a different band. Lots of overlap between the instruments, in places they don't sound like they're playing the same song.
Ending (before the "wooo") is a boring, standard cadence. It needs something a bit more in line with the feel of the rest of the song.
After a couple of listens, it sounds more like you've got a Billy Idol sort of vibe going.
Looking forward to the next iteration, even if you ignore all my suggestions!
But if you're going for a more "punk" sound, you might want to listen to this guy:
Originally Posted By: TexasFrets
I think maybe I need to change the quality of my voice in this song. Perhaps it doesn't sound punk enough? Does the guitar solo sound too cheezy? It was another one of those first thought best thought things, and apparently my default guitar playing is stuck in the 80s or so.
You must explain/why this must be...
Ooops, got distracted listening to some cuts from London Calling.
Back to comments...
Vocal: mismatched reverb, too much of it, singing is too smooth. Bass is boomy, not focused. The energy of the vocal is actually lower than the backing track, which is backwards. Keep the energy in the backing tracks, and have the lead singer drink some more espresso.
Guitars think they are playing in a different band. Lots of overlap between the instruments, in places they don't sound like they're playing the same song.
Ending (before the "wooo") is a boring, standard cadence. It needs something a bit more in line with the feel of the rest of the song.
After a couple of listens, it sounds more like you've got a Billy Idol sort of vibe going.
Looking forward to the next iteration, even if you ignore all my suggestions!
Hey, David. Those are all good observations and comments. I'll definitely think about them in the next iteration. I appreciate you taking the time to listen and comment. Very helpful. Best, Todd
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean