It's almost like getting around Japan
As a veteran MIDI user (even before Cubase was invented) I got to produce dozens of albums and even produce a song for Eurovision with the help of DAW but something was always missing.
Especially with increasing age, and the so-called flooding utilities, loops, ready-made phrases atc ..
I felt like I was starting to drown, and the time devoted to creation was lost due to technical flooding.
BIAB enters exactly where the missing and complementary space between (cubase / logic) and (ableton)
And I did not understand why the others do not understand this?
What the hell keeps a band in a box from capturing the hearts of professional musicians?

I purchased the software with excitement and discovered how easy it is to start creating without committing and what power it has in providing companion live tools
And on the other hand the user interface is completely confused, as if 8 different programmers were working on it together. There is no uniformity and human engineering in reaching trivial things like click / metronome, the transposition in each component (style channel / melody / soloist / audio / utility) is in a different location. Orientation is non-intuitive and does not resemble any of the accepted software and it is a pity.
and yet
I think this software is a gift for musicians and it will only become a significant thing.
I love her despite the limitations.

Computer: Intel i7 Memory 32 - Hard disk system 500 ssd
Software: Cubase, Ableton, Mixbus
BIAB Ultrapak 2021