i know talent plays a large part! but i was intrigued by one of Matt's posts about the sound of a sax.
bearing in mind that a strat is a plank of wood with electrics attached, strings can be duplicated make and gauge, and an amp is an electronic piece of kit and fx are reproducible, even if i match Hank's gear exactly i won't sound the same.
far fewer variables than an acoustic sax. so where does the magic come from?
As I understand it a lot is how hard you play. The most however is that pure sense of timing. It is how your fingers hit the fret board, where you strike the strings (toward the neck or back toward the bridge) and as I said just how hard you hit them. How you lift your fingers from a string or the vibrato you play with. Even the plectrum plays a part (how hard or soft). Even the age of the strings used when recording.
I’ve found two guitarists will get two different sounds playing the exact same setup and guitar.
Tony
Last edited by Teunis; 03/28/2112:57 AM.
HP i7-4770 16GB 1TB SSD, Win 10 Home, Focusrite 2i2 3rd Gen, Launchkey 61, Maton CW80, Telecaster, Ovation Elite TX, Yamaha Pacifica 612 BB 2022(912) RB 2022(2), CakeWalk, Reaper 6, Audacity, Melodyne 5 Editor, Izotope Music Production Suite 4.1
Aside from the knobs on both the guitar and amp being adjustable....
You are correct.
Tone is in the person and more specifically their hands and fingers.
I've witnessed 2 players with the same guitar and amp. One sounded ok... The other guy sat in on a few songs and the difference was dramatic. The first guy was at the table with us and commented how was the set in getting such a good tone..... Yes, it's the player.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
Hi, Bob raised this some time back but here is something I never thought of and it does help. I looked at this chap set up Guitar Rig using two delays one set at 120ms the other at about 500ms it does in fact sound a lot like an echo using two heads missing the middle (something one did with the olde CopyCat leaving the middle head turned off).
I have found that the Harmonix Memory toy a useful pedal This is a bucket brigade delay Analog device and emulates a tape echo very well. Delay up to 550ms With careful adjustment you can even get it to do dotted eighth note delays, much used by David Gilmour (Pink Floyd)
Hi Mike, I think the trick here is not so much how long the delay takes but the fact it goes “da, tickety, da” rather that “da, da, da”. Basically you get a fast repeat followed by a space then two fast repeats then a fading space followed by two fast repeats.
With some of the old tape echo units the tape would record then play back over a series of play back heads. The sound could be achieved by turning off the second play back head for example.
I managed to get it using two simple digital delays in TH-U setting one at 120ms going into another at 500ms.
Tony
Edit: “Found the right video”. Oddly enough Hank Marvin used a similar way to describe it in the video above. In my previous post the video was doing the same thing.
Tony
Last edited by Teunis; 05/31/2101:02 AM.
HP i7-4770 16GB 1TB SSD, Win 10 Home, Focusrite 2i2 3rd Gen, Launchkey 61, Maton CW80, Telecaster, Ovation Elite TX, Yamaha Pacifica 612 BB 2022(912) RB 2022(2), CakeWalk, Reaper 6, Audacity, Melodyne 5 Editor, Izotope Music Production Suite 4.1
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