Mac is totally right about stereo on a live gig. Imagine the distance of an audience from the performer,(usually at least 8 metres)depending on the distance which seperates the left & right speakers & the extent of stereo used at the mixing desk most of the stereo information is gone anyway (therefore useless). Most FOH mixers try to keep the mix as mono as possible to eliminate any phase problems of the hall & like I said (in this case) stereo is useless. I am of course only talking about a live gig here, recordings are obviously stereo. Listen to Mac, stereo means next to nothing for the audience & is just a musicians indulgence live

Last edited by bupper; 04/23/11 11:55 AM.