+++ Big Fish Audio +++ They also have a free sampler, Momentum, that can slice, dice and remix a sample like Reason while offering the sequencing and playback capability of Kontakt.
You don't say? This looks very interesting to me at this time. There was always a bit of a hurdle for me when I work with loops. Perhaps this is what I was missing. Thanks Jim, for the referral.
Dan, if you get this figured out lemme know how you do it! I bought one of their loop packs about 6 years ago and could never really figure out how to use it. I installed it in Kontakt and I can play around with the loops but never really ever figured out how to use these in a song. There doesn't seem to be any real documentation on how to use them so I'd love some tips!
I actually am not looking to purchase more loop packages. I am sure if I look around my hard drives I will find loop collections which I already have. So I am hoping this will work with what I have. What caught my attention here was a statement that "...just insert loops and they fit themselves into your arrangement within the DAW. So I am hoping this is that missing tool I need to make loops work for me.
Momentum is a sampler that can be used instead of Kontakt. Plus, it is free.
Samples and loops have many different features. The biggest is some loops have embedded pitch, tempo and key signature meta data and some don't. Those that do typically identify as "Acidized Waves". You'll also find loops with features specific to a certain program like FL Studio, Halion, Rex and Reaktor.
Loops and samples that take advantage of all the features Momentum offers will be identified as KLI or Momentum compatible.
Big Fish has multiple free loop sampler packages available for download. You will find them +++ HERE +++. Free loops is a great way to practice and learn how to use.
Just like Kontakt has a free library, Momentum has 3.8 GB of available content to practice and learn on.
+++ THIS +++ webpage has Windows and Mac download links as well as tutorial videos to help get you started.
So, the resolution to the points made in this thread is that after paying $569.00 for the program, one would need to purchase some loop libraries. This is if you want to have a "modern" sound.
No new players, no new styles. It's a disappointment.
Regards,
Bob
Not really. PG Music provides 2,000 loops with Band-in-a-Box so we know loops work inside Band-in-a-Box. Where do you go if you want more loops or a specific loop (cowbell anyone?). I suggested a source for loops.
I haven't seen any program advertised as the only music source you'll ever need. Of course there will be new styles. There are new styles every year. There are new RealTracks every year. What we don't know is who will be the musicians playing on the RealTracks.
Maybe PG Music should avoid controversy and revert back to the alias or pseudonym of "PG Artist" that performed many of the guitar and mandolin RealTracks.
I agree new artists creating new sounds would be nice. But I haven't heard much new music that I like so I'm like a child in a candy store; I know I want something different but I don't know what it is I want. I just know that when I hear it I'll like it and will be inspired.
"Not really. PG Music provides 2,000 loops with Band-in-a-Box so we know loops work inside Band-in-a-Box. Where do you go if you want more loops or a specific loop (cowbell anyone?). I suggested a source for loops."
It's called "Band In A Box", not "Loops In a Box".
"I haven't seen any program advertised as the only music source you'll ever need."
When did I make that statement? Never, actually.
"What we don't know is who will be the musicians playing on the RealTracks."
Really? In my experience it will be the SAME OLD PLAYERS.
"Maybe PG Music should avoid controversy and revert back to the alias or pseudonym of "PG Artist" that performed many of the guitar and mandolin RealTracks."
'...avoid controversy...'? They named the artists to cash in on their notoriety in the first place.
"I agree new artists creating new sounds would be nice."
Finally; something we agree on! I would edit your statement (since you have chosen to quote a statement I never made); I would say "new artists creating new sounds would be expected for my $569.00".
I am pretty happy with BIAB just like it is. I can think of many things I would like them to do. I really like Brent Mason for country tracks. I think he is very over used on other styles and is certainly not my favorite blues player.
The price of a audiophile disk is pretty cheap for what it does, then again I don't have to consider refinancing my house to pay for it.
It's called BIAB not "live professional studio musicians will show up at your house and play for you.
The biggest complaint I have with BIAB is the difficulty in learning to use it.
Billy
“Amazing! I’ll be working with Jaco Pastorius, Charlie Parker, Art Tatum, and Buddy Rich, and you’re telling me it’s not that great of a gig? “Well…” Saint Peter, hesitated, “God’s got this girlfriend who thinks she can sing…”
"It's called BIAB not "live professional studio musicians will show up at your house and play for you."
Really? This is from the PG Home Page:
1. What is Band-in-a-Box? Band-in-a-Box is an intelligent automatic accompaniment program. You can hear and play along to many song ideas and go from "nothing" to "something" in a very short period of time with Band-in-a-Box as your "on demand" backup band. Just type in the chords for any song using standard chord symbols (like C, Fm7 or C13b9), choose the style you'd like, and Band-in-a-Box does the rest. Band-in-a-Box automatically generates a complete professional quality arrangement of piano, bass, drums, guitar and strings in a wide variety of styles.
Seems to me that's exactly what the program is promising.
Well Bob, that is their sales pitch and for the most part true. What the quality of their "complete professional quality arrangement" is does not often make me satisfied.
I paid a vocalist more to sing on one tune than the audiophile disk cost. I did use BIAB to lay out the chord structure which it did a very good job of.
Many people here say they get a finished product from BIAB. I am glad they are happy with what they get.
The last serious studio project I did cost me $30,000 in cash.
Get in your car and drive to LA and get a "complete professional quality arrangement" done and see what it sounds like and what it cost. It would be ever so cool if some software program could match what comes out of Sony studios or does the kind of mastering work done at Capital.
Musicians universally complain about everything for the most part.
By the way, I don't work for PG Music or own any stock. I do think they make a pretty good product and they have been a nice company for me to deal with.
Nothing I say here is likely to change anyone's mind about anything.
Billy
“Amazing! I’ll be working with Jaco Pastorius, Charlie Parker, Art Tatum, and Buddy Rich, and you’re telling me it’s not that great of a gig? “Well…” Saint Peter, hesitated, “God’s got this girlfriend who thinks she can sing…”
Well Bob, that is their sales pitch and for the most part true. What the quality of their "complete professional quality arrangement" is does not often make me satisfied.
I paid a vocalist more to sing on one tune than the audiophile disk cost. I did use BIAB to lay out the chord structure which it did a very good job of.
Many people here say they get a finished product from BIAB. I am glad they are happy with what they get.
The last serious studio project I did cost me $30,000 in cash.
Get in your car and drive to LA and get a "complete professional quality arrangement" done and see what it sounds like and what it cost. It would be ever so cool if some software program could match what comes out of Sony studios or does the kind of mastering work done at Capital.
Musicians universally complain about everything for the most part.
By the way, I don't work for PG Music or own any stock. I do think they make a pretty good product and they have been a nice company for me to deal with.
Nothing I say here is likely to change anyone's mind about anything.
Billy
Well, Billy,
As a customer, and a long-time proponent of BIAB, I think I've earned the right to comment. You may disagree....whatever.
"Get in your car and drive to LA and get a "complete professional quality arrangement" done and see what it sounds like and what it cost. It would be ever so cool if some software program could match what comes out of Sony studios or does the kind of mastering work done at Capital."
I lived in LA for 15 years. In the music scene. You take a lot for granted.
--- By the way, I don't work for PG Music or own any stock. ---
There's stock?
Sorry Matt, I misspelled that. I don't own any socks. I live in the tropics and find no need for them.
Billy
“Amazing! I’ll be working with Jaco Pastorius, Charlie Parker, Art Tatum, and Buddy Rich, and you’re telling me it’s not that great of a gig? “Well…” Saint Peter, hesitated, “God’s got this girlfriend who thinks she can sing…”
Momentum is a sampler that can be used instead of Kontakt. Plus, it is free.
Samples and loops have many different features. The biggest is some loops have embedded pitch, tempo and key signature meta data and some don't. Those that do typically identify as "Acidized Waves". You'll also find loops with features specific to a certain program like FL Studio, Halion, Rex and Reaktor.
Loops and samples that take advantage of all the features Momentum offers will be identified as KLI or Momentum compatible.
Big Fish has multiple free loop sampler packages available for download. You will find them +++ HERE +++. Free loops is a great way to practice and learn how to use.
Just like Kontakt has a free library, Momentum has 3.8 GB of available content to practice and learn on.
+++ THIS +++ webpage has Windows and Mac download links as well as tutorial videos to help get you started.
Hi Jim I’m keen to give this a go! I have only ever used percussion type loops where pitch is not important. How do these loops from big fish transpose to the right key?
Well Bob, that is their sales pitch and for the most part true. What the quality of their "complete professional quality arrangement" is does not often make me satisfied.
I paid a vocalist more to sing on one tune than the audiophile disk cost. I did use BIAB to lay out the chord structure which it did a very good job of.
Many people here say they get a finished product from BIAB. I am glad they are happy with what they get.
The last serious studio project I did cost me $30,000 in cash.
Get in your car and drive to LA and get a "complete professional quality arrangement" done and see what it sounds like and what it cost. It would be ever so cool if some software program could match what comes out of Sony studios or does the kind of mastering work done at Capital.
Musicians universally complain about everything for the most part.
By the way, I don't work for PG Music or own any stock. I do think they make a pretty good product and they have been a nice company for me to deal with.
Nothing I say here is likely to change anyone's mind about anything.
Billy
Well, Billy,
As a customer, and a long-time proponent of BIAB, I think I've earned the right to comment. You may disagree....whatever.
"Get in your car and drive to LA and get a "complete professional quality arrangement" done and see what it sounds like and what it cost. It would be ever so cool if some software program could match what comes out of Sony studios or does the kind of mastering work done at Capital."
I lived in LA for 15 years. In the music scene. You take a lot for granted.
Regards,
Bob
First you have the right to say anything you like. We agree on a lot of things, Brent Mason for one. I also lived in La for many years and worked in the music business for Universal Studios and played in my band there and in Europe. If you lived, played, and recorded in LA you know exactly what the quality of things are there and how difficult it is to get what you want even in LA with plenty of money. No software program is going to replace that. That is not to say BIAB has no value because it dose.
I took the time to go to Band Camp and listen to a good bit of your songs. You have some pretty nice songs. Some sound like they were created in BIAB. That is not necessary a bad thing, it is also not pro studio.
I liked 100 Miles From Austin how ever it got put together. There are people here who do excellent work. Jane Floyd comes to mind but I can assure BIAB is not the only tool he uses.
Not everything has to come our of Abbey Road Studio in London to sound good. I have a couple of really good songs that a very well professionally recorded using top session players in LA that no one seems to have a interest in except me and a few friends. Thake a listen,
There are no guitar players on BIAB that can play like Lewis.
Cheers,
Billy
Last edited by Planobilly; 07/28/2108:13 PM.
“Amazing! I’ll be working with Jaco Pastorius, Charlie Parker, Art Tatum, and Buddy Rich, and you’re telling me it’s not that great of a gig? “Well…” Saint Peter, hesitated, “God’s got this girlfriend who thinks she can sing…”
+++ Big Fish Audio +++ They also have a free sampler, Momentum, that can slice, dice and remix a sample like Reason while offering the sequencing and playback capability of Kontakt.
You don't say? This looks very interesting to me at this time. There was always a bit of a hurdle for me when I work with loops. Perhaps this is what I was missing. Thanks Jim, for the referral.
Downloaded and worked with this for about an hour this morning. Doesn't seem like it is for me, but I did not delete it. I will put a little more time in later to see if I can get over the learning curve of momentum. So far it don't sound musical to me.
+++ Big Fish Audio +++ They also have a free sampler, Momentum, that can slice, dice and remix a sample like Reason while offering the sequencing and playback capability of Kontakt.
You don't say? This looks very interesting to me at this time. There was always a bit of a hurdle for me when I work with loops. Perhaps this is what I was missing. Thanks Jim, for the referral.
Downloaded and worked with this for about an hour this morning. Doesn't seem like it is for me, but I did not delete it. I will put a little more time in later to see if I can get over the learning curve of momentum. So far it don't sound musical to me.
I watched the "Momentum Trailer" and I thought it was lame at best... The background "music" sucked (IMHO). I recently purchased Komplete Kontrol, and am currently at the bottom of the learning curve.
I checked my download links for the loops I bought from them in 2015, and while they say these loops are compatible with Momentum, the links for those versions are grayed out. Dunno if I would have to buy them again to get them but I won't do that in any case.
I just don't understand what to do with them unless it is to simply build a track from scratch in my DAW by copy/pasting the slices. And if that's the case this seems like more work than I'd like unless I just really need something I can't get another way.
I wish they provided a step-by-step walkthrough of creating a track using their loops. Maybe Dan will do that?
The website page for this set includes two songs that demonstrate multiple ways these loops can be mixed together. I recorded the demo songs and placed the recordings in the construction kit folder so I can remember how the loops sound in context.
I've included some screen shots to illustrate my comments.
This construction kit was purchased from +++ Producer Planet +++. Producer Planet was Sony's original website to demonstrate and sell their Acidized loops and the site has a limited number of kits. +++ Big Fish Audio +++ also has construction kits.
Band-in-a-Box typically has one loop per track. There are ways around that limitation but one loop per track is the norm. That works well with percussion tracks. It also works well when you want a singular riff played in a section or throughout a song. Construction kits such as the one I've included screen shots from give you more instruments to use in your songs
Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
Band-in-a-Box 2025 für Windows Deutsch ist verfügbar!
Die deutsche Version Band-in-a-Box® 2025 für Windows ist ab sofort verfügbar!
Alle die bereits die englische Version von Band-in-a-Box und RealBand 2024 installiert haben, finden hier die Installationsdateien für das Sprachenupdate:
Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!
Already using Band-in-a-Box 2025 for Windows®? Download Build 1128 now from our Support Page to enjoy the latest enhancements and improvements from our team.
Already using RealBand® 2025 for Windows®? Download Build 5 now from our Support Page to ensure you have the latest enhancements and improvements from our team.
PowerTracks Pro Audio 2025 is here! This new version introduces many features, including VST3 support, the ability to load or import a .FLAC file, a reset option for track height in the Tracks window, a taller Timeline on the Notation window toolbar, new freeze buttons in the Tracks window, three toolbar modes (two rows, single row, and none), the improved Select Patch dialog with text-based search and numeric patch display, a new button in the DirectX/VST window to copy an effects group, and more!
First-time packages start at only $49. Already a PowerTracks Pro Audio user? Upgrade for as little as $29!
Video: Summary of the New Band-in-a-Box® App for iOS®
Join Tobin as he takes you on a tour of the new Band-in-a-Box® app for iOS®! Designed for musicians, singer-songwriters, and educators, this powerful tool lets you create, play, and transfer songs effortlessly on your iPhone® or iPad®—anytime, anywhere.
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I installed it in Kontakt and I can play around with the loops but never really ever figured out how to use these in a song. There doesn't seem to be any real documentation on how to use them so I'd love some tips!
This is if you want to have a "modern" sound. 
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