Quote:

About the dissonance of two tones a half-step apart, you are already used to a more melodious example, the Maj7 chord. CMaj7 has both a C and a B natural, and they sound fine together, even next to each other. For example, try voicing it on a piano like this, going up: B, C, E, G. It should sound fine, partially because we are used to that sound in Western music.


Thanks Matt, I only realize this now :-) Should this be due to the fact that the half tone interval is next to the root note? Are there other chords with half tone intervals that don't clash?


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