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A co-write with Lisa Gundling. (check the volume slider. On my system it needs to be set to about 50% or it's really loud...) HEADACHES AND HEARTACHES when your friends came to party i'd give you the look you'd turn up the music, i'd close my book the jokes they kept cracking weren't funny i thought they were losers just after your money you were giving me headaches day after day thought my head would stop hurting when you went away now don't get me wrong, it wasn't all bad i should have hung on to the good times we had thought my head would stop hurtin' out of the blue thought my head would stop hurtin' once you said we were through you'd think i'd be happy, quiet as it is now i finish book after book but miss the music somehow saving up laughter with chuckles to spare in a house filled with lonely because you're not here now you've giving me heartaches day after day 'cause my heart started hurtin' when you went away don't get me wrong i know i'm to blame my heart still hangs on and calls out your name my heart keeps on hurtin', broken and blue my heart has been hurtin' since you said we were through The BAND: Style is _ALLISR.STY (Fast Ctry Bal w ResGuit (120 RS)) RealTracks in style: ~~518:Bass, Electric, Pop HalfNotes Ev 085 RealTracks in style: ~~364:Guitar, Acoustic, Fingerpicking Ev 065 RealTracks in style: ~~368:Guitar, Acoustic, Strumming Ev 065 RealTracks in style: 408:Guitar, Resonator, Background Allis Ev 120 RealDrums in style: NashvilleEven8^5-a:Snare, HiHat , b:Snare, Ride MIDI SuperTracks in song: 2066:Piano, Rhythm NewAgeAnswers Ev16 110 MIDI SuperTracks in song: 2058:Strings, Rhythm CelticAir Ev 085 RealTracks in song: 1856:Cello, Background PopCountry Ev 085 RealTracks in song: 2336:Viola, Background, Pop Ev 085 (1TrackStringSection) I played a couple of acoustic guitar tracks, vocals, harmonies Have at it. fj
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Floyd,
Wow! This is an absolutely great production.
I love how you have "headaches in the first verse and "heartaches" in the second.
Your vocal is stellar - you are one of the best singers around. The song itself is also quite special - sounds like it could have been written by Diane Warren - it's that good.
OUTSTANDING!
Bob
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Sung with powerful feeling!
Another well written piece for sure. Band sounds great and as always, vocals sell it!
moto
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Apprentice
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Hi Floyd, This song has a somewhat nostalgic sound to it, very 70-ish. Especially the chorus. Good build that just doesn't exist in a lot of today's music. Great playing and vocals. Man, it is just so nice to go back through time like this sometimes. Give my regards to Lisa Gundling who also helped with the write. Thanks for posting, I enjoyed the listen...
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FJ, The melody through "you were giving me headaches day after day thought my head would stop hurting when you went away" is wonderful: as is the rest of the melody in the song but the "cadence & cascade" through those lines really, really is extra wonderful. Left me wanting more, too.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
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Hi Floyd,
Brilliant - I simply couldn't improve on anything.
I particularly liked the vocals - terrific.
One of the best songs I have ever heard on this forum.
Best Regards Nigel
Nigel Spiers Christchurch, New Zealand info@nzacoustics.com
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i'm not a country style bloke fj,,, BUT I KNOW TALENT..and youve got it in spades. you should be in nashville. hey theres a song idea for you... title >I'm Going to Nashville.<
best to you always. om
Last edited by justanoldmuso; 09/28/21 01:09 PM.
my songs....mixed for good earbuds...(fyi..my vocs on all songs..) https://soundcloud.com/alfsongs(90 songs created useing bb/rb) (lots of tips of mine in pg tips forum.)
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floyd
Stunning.
Incredibly impressive vocal, and the entire production just oozes class.
A true masterclass.
Peter
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Another wonderful song delivered by a world-class singer.
I'm guessing Lisa wrote a fair share of the lyrics, am I wrong? (Just guessing for the fun of it).
Liked the new age piano and the Celtic strings a lot. The piano RT gave you a nice ending, I'm not usually as fortunate.
Thanks for the great music, and all the help you've been to so many on this forum.
Windows 11, Intel Core I5 10400, 16 gig ram, Scarlett 2i2, Sony Acid Music Studio 10, BIAB 2020 UltraPlus Pak
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SMILE. Let's let that be my perpetual comment for any Floyd Jane song, k? It stands for the awe I have for your talentS, man. There is nothing I can say, but that everything is perfect --as always. I listen to your songs more than any others as I drive. So henceforth I'll just type SMILE to let you know I'm still here. Carry on.
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Lots of emotions in the story and the interpretation really brings them forth, "saving up laughter with chuckles to spare" nice line. The lead to the chorus is very enjoyable and then the chorus starts with unexpectedly beautiful chord progression, singing and great sounding strings. The piano sounds nice also. The song feels too short, I would have listened this high-quality song much longer.
Janne
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You always sound good Floyd.
Vic
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Floyd,
Wow! This is an absolutely great production.
I love how you have "headaches in the first verse and "heartaches" in the second.
Your vocal is stellar - you are one of the best singers around. The song itself is also quite special - sounds like it could have been written by Diane Warren - it's that good.
OUTSTANDING!
Bob Bob - REALLY appreciate these words. Thanks.
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FJ, Solid collaboration! Within couple of short years you redefined and expanded my understanding of modern country pop/rock. Very powerful tune. Fantastic production and vocals. Excellent title and set of lyrics. Enjoyed it! Thank you for sharing.
Misha.
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Bravo! Outstanding recording. Another well crafted story song. Your vocals are the real attraction here. The chorus is sung so fully. The band was great too, especially that piano players.
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Man! This is just absolutely fantastic.
Just a great song, outstanding vocal, totally pro mix.
One of your best I think, perfect from start to finish.
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The writing is SUPERB - congratulations to you both. But: that VOICE ... what a storyteller you really are. A joy to listen to you sing.
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Nice doubling of the vocals. Excellent, as always, production.
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I'm late to the party but glad that I came.
I agree with everything that has been said.
This is another pro sounding winner.
It takes courage for a man to admit his wife was wrong.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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It's got the feels and the sounds. Plus, a killer title! Really, that's all I need to say. Excellent song, lovely to listen to. But this song got me thinking, you said "have at it"... So in no particular order: Love the sparse opening and build. But it feels like there's one too many guitars there. And I should know, because I've written and arranged zero successful songs.  Your phrasing is fun to listen to, and really helps to paint the picture: I'd give you... the lookThis lyric surprised me: you'd turn up the music. i'd close my bookI figured it would be the opposite, like i'd hide in a book. Because I'm way too literal, this line was a bit confusing: i thought they were losers just after your moneyAre her friends a bunch of gold-diggers trying to marry her? Yeah, this is why I'm never invited to parties. (Because I'm literal, not because I'm a gold-digger). Nice melody on the bridge - very James Taylor-ish. As a big JT fan, that's a compliment. Only unlike JT it builds into a big chorus. I was just pointing out to my daughter the other day why I'm no good at writing pop music: I have a compulsion to write more words, instead of using repetition. Repetition is good, and these lines remind me of exactly that: thought my head would stop hurtin' out of the blue thought my head would stop hurtin' once you said we were throughLyrically, this chorus looks like like a bridge, but melodically it's a chorus. (This is the point where I double-check to see if the title of the song is "You Said We Were Through"). I really like the inner rhyme here: don't get me wrong i know i'm to blame my heart still hangs on and calls out your nameThere are some interesting word choices when you call back to the first verse - "chuckles" and "spare": saving up laughter with chuckles to spare in a house filled with lonely because you're not hereI wouldn't have gone with "chuckles", but then... zero hit songs to my name!  And you don't go with the more obvious "spare/there" rhyme, either! I didn't initially notice the first chorus was "head" and the second "heart". Subtle and clever. There is one bit that confuses me, though. I noticed the first verse sets up the singer as the one who's complaining, who seemingly can't wait to be alone. But it's revealed at the end of the first verse that he's not the one that said goodbye first: thought my head would stop hurtin' once you said we were throughBut... it really feels like the song is structured to hide that particular bit of information until the very last line of the song, as a final twist payoff. That is, if that hadn't been at the end of the first verse, I'd be totally convinced that he told her goodbye first. And then I'd get to the end and be all "Oh, Henry snap, I didn't see that coming!"Or maybe I'm just overthinking things. Anyway, I had fun listening, and fun spending way too much time analyzing it. Also, after looking at your formatting, I finally figured how to get those indents working. I didn't think non-breaking spaces could be used, but now I know better! 
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
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We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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