The users wants to cut n paste without chopping the beginning of the note off, this will allow that. Reaper has non destructive editing, I haven't used S1 enough to know what it does but I assume it would be the same. It is easy to script it up in Reaper to do what you want but S1 you are a bit more limited. I did it in Reaper to allow the sustain to bleed into the next bar after cut n paste.
You gave me a hint. You can cut it normally according to Daw (cut off the beginning) But paste it to the position you need, and then drag the beginning forward to solve the problem. very nice! Your message gave me a good inspiration!
I can do it manually in Reaper and I could also script it up.
Although we come from different places and different cultures But every time I express, you can understand what I mean And help me solve it. Great, I want to worship you as a teacher, ha ha
just to clarify, what i meant by looking at the waveform is that it does allow you to see exactly where and when notes start and end. which is exactly what the OP's first shot showed. i find that useful when i want to make sure i don't cut off the beginning or end of a phrase when it doesn't exactly line up with DAW bar lines.
nudging a phrase a few ticks so that it starts exactly on a bar line when that isn't what the musician played seems to me to be unnecessary and counterproductive.
i agree with Matt that your ears should be the judge not the minutiae of bar lines and i find the wave forms useful in achieving that. i use RB and have never found a problem cutting and pasting to create a composite solo or to correct a phrase i didn't like with one from elsewhere in the track.
just to clarify, what i meant by looking at the waveform is that it does allow you to see exactly where and when notes start and end. which is exactly what the OP's first shot showed. i find that useful when i want to make sure i don't cut off the beginning or end of a phrase when it doesn't exactly line up with DAW bar lines.
nudging a phrase a few ticks so that it starts exactly on a bar line when that isn't what the musician played seems to me to be unnecessary and counterproductive.
i agree with Matt that your ears should be the judge not the minutiae of bar lines and i find the wave forms useful in achieving that. i use RB and have never found a problem cutting and pasting to create a composite solo or to correct a phrase i didn't like with one from elsewhere in the track.
I just answered a similar question about audio alignment in another thread post and provided instructions to how moving and aligning an Audio Track is done from BIAB using the Audio Editor and provided screenshots. This will work with the Audio Track or any Utility Track. Hope this helps.
As I understand this, swingbabymix's main interest at present is electronic dance music, which by its nature is mostly quantized, and most of the samples used are similarly quantized.
BIAB is a contrast to that. A large part of it's focus is in maintaining a human feel where possible.
My feeling is that swingbabymix likes the sound and feel of BIAB and wants to use that sound and feel in his/her dance music, is still adapting to the differences between EDM's and BIAB's approaches.
That means that, to keep that sound and feel, one has to accept that the editing will need management around the beats, with we are mostly familiar, but which are as yet unfamiliar to swingbabymix. That familiarity will come, I'm sure.
Jazz relative beginner, starting at a much older age than was helpful. AVL:MXE Linux; Windows 11 BIAB2025 Audiophile, a bunch of other software. Kawai MP6, Ui24R, Focusrite Saffire Pro40 and Scarletts .
As I understand this, swingbabymix's main interest at present is electronic dance music, which by its nature is mostly quantized, and most of the samples used are similarly quantized.
BIAB is a contrast to that. A large part of it's focus is in maintaining a human feel where possible.
My feeling is that swingbabymix likes the sound and feel of BIAB and wants to use that sound and feel in his/her dance music, is still adapting to the differences between EDM's and BIAB's approaches.
That means that, to keep that sound and feel, one has to accept that the editing will need management around the beats, with we are mostly familiar, but which are as yet unfamiliar to swingbabymix. That familiarity will come, I'm sure.
yes. Electronic music feels mechanical and cold. Use BIAB to add some guitars and traditional instruments to make the music more natural! It's like I invited a guitarist, a keyboard player, to help me play a paragraph. Perfect! Of course, I hope BIAB itself can also join the style of electronic music, which will enable BIAB to win the support of more young people. In fact, electronic music may be simpler because no one needs to play it. Editing some commonly used styles can edit various electronic music through the core technology of BIAB software, which is a great and happy thing. Although BIAB is a long-standing Music software. However, I hope more people know about BIAB. In my recent use, I like BIAB more and more BIAB is an undervalued Music software. It's amazing!
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
With the release of Band-in-a-Box® 2025 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll also keep this forum post updated so you can easily find all the latest videos in one convenient spot.
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Band-in-a-Box® 2025 for Mac is here, packed with major new features and an incredible collection of available new content! This includes 202 RealTracks (in Sets 449-467), plus 20 bonus Unreleased RealTracks in the 2025 49-PAK. There are new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 4, two new sets of “RealDrums Stems,” XPro Styles PAK 8, Xtra Styles PAK 19, and more!
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È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
Band-in-a-Box 2025 für Windows Deutsch ist verfügbar!
Die deutsche Version Band-in-a-Box® 2025 für Windows ist ab sofort verfügbar!
Alle die bereits die englische Version von Band-in-a-Box und RealBand 2024 installiert haben, finden hier die Installationsdateien für das Sprachenupdate:
Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!
Already using Band-in-a-Box 2025 for Windows®? Download Build 1128 now from our Support Page to enjoy the latest enhancements and improvements from our team.
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