If you use a flute, a piano, any other instrument(s) or even Band-in-a-Box to capture and present deep feelings that represent an "expression" of your soul, then I am eagerly waiting to hear. Yes, a tool is just a tool. It is the "soul" part that is most important.
I really have no idea what this means. I can't take it literally and I don't relate to the metaphor. All I know is that you think pre-1954 musicians FOR THE MOST PART had Beautiful Souls and present day musicians FOR THE MOST PART have souls like garbage dumps.
Here's a challenge.
Go back in time, if you can, to 1953. Literally, in a time machine.
Spend a year listening to everything that was coming out back then.
Condition: Your memories from 2021 are wiped when you go back, so you won't have a cheat sheet of what to listen to, where to find the good stuff. You won't remember any of it. You're just a 1953 guy listening to 1953 music, including all the crap that has by 2021 been relegated to the dustbin of musical history.
Then come back to 2021 and tell me 1953 was really so much better a year for music than 2020. Bet you won't!
Harsh? Is it any harsher than releases ending up in budget bin at Tower Records? The difference is the bin is much larger now because technology made 'music creation' more accessible to those who can't make it otherwise.
This started as a discussion and should by no means be an indictment. The bar should always be high.
Harsh? Is it any harsher than releases ending up in budget bin at Tower Records? The difference is the bin is much larger now because technology made 'music creation' more accessible to those who can't make it otherwise.
Can't say I know how to solve that equation.
The thing is, if technology expands the set of people making music, say, 100 times, you would certainly wind up with a lot more crap but you should also presumably wind up with a lot more good stuff. Maybe it's an ugly ratio, maybe you have 100x more crap and only 3x more goodness, but that's still more than you had before. Hypothetically speaking.
In any case, I was reacting to your comments about BIAB, which did seem pretty dismissive of it as a possible tool for serious music production.
If you use a flute, a piano, any other instrument(s) or even Band-in-a-Box to capture and present deep feelings that represent an "expression" of your soul, then I am eagerly waiting to hear. Yes, a tool is just a tool. It is the "soul" part that is most important.
I really have no idea what this means. I can't take it literally and I don't relate to the metaphor. All I know is that you think pre-1954 musicians FOR THE MOST PART had Beautiful Souls and present day musicians FOR THE MOST PART have souls like garbage dumps.
Here's a challenge.
Go back in time, if you can, to 1953. Literally, in a time machine.
Spend a year listening to everything that was coming out back then.
Condition: Your memories from 2021 are wiped when you go back, so you won't have a cheat sheet of what to listen to, where to find the good stuff. You won't remember any of it. You're just a 1953 guy listening to 1953 music, including all the crap that has by 2021 been relegated to the dustbin of musical history.
Then come back to 2021 and tell me 1953 was really so much better a year for music than 2020. Bet you won't!
Mark,
Again, this is not what I said. You are toying with my quote which you totally [*****] [this word is getting purged and it is not a curse word, oh well] the first time. You need to read a little more carefully.
I never said that ALL musicians from a certain day had beautiful souls, etc. etc.
I also never tied 1953 to that. It was a tongue-in-cheek comment in another point.
And I never said all musicians today have the soul of a garbage dump.
What I AM saying is that there was a time when I heard a lot of music that I felt on the level of my soul. It moved me.
And I am saying that MOST new stuff I hear coming out today sounds soul-less and robotic. TO ME. It just does.
I am not the only person who feels this way. But for the purpose of the discussion, that is not important. It is what I feel. Most new music today to me sounds canned, artificial, robotic and soul-less.
If you cannot understand that I am saying that, I can't help you. If you feel differently, then get out your credit card and buy it dude.
Over and out.
David Snyder Songwriter/Renaissance Man Studio + Fingers
You miss my point. Of course people will do what they want. Again, I was chiming in on the original post and its legitimate concern that those who made music prior to 15 years ago did so because they had some musical skill in which to do so. There was very little to hide behind and the crap was quickly identified as such and promptly placed in the budget rack at your local record store.
A good song is a good song regardless of how it was created.
Originally Posted By: GodTripped
BIAB and tools like it lend polish to the ill equipped save their mouse clicks and processing power, and to the point of the original post, the market is flush with dismissible works. The question to ask is, if you strip BIAB out of the equation will the song and the musicianship hold under its own weight? I boldly say no.
I think you have to be careful here. There are a number of excellent guitarists and vocalist here who's musicianship does hold up under its own weight.
I have said it before but I will say it again buying a music creation program does not make you a musician anymore then buying a paint program will make you an artist. If you are a musician or an artist then those programs will enhance your work.
YMMV
I'm in a fitness protection program. I'm been hiding from exercise.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
[quote=GodTripped] In any case, I was reacting to your comments about BIAB, which did seem pretty dismissive of it as a possible tool for serious music production.
It is important to be clear because nothing I said on this exchange suggested I was dismissive of BIAB - I am the one who identified it as a "tool" much like your garden variety DAW is. Where your perception is spot on is there is no way it serves in the category of 'serious music production'. For the record, I thought it might be, but as a guitarist there is no way you can rely on BIAB to play in the same manner you would do for obvious reasons (timing, strumming technique, dynamics, even proficiency). However, you can approximate, which again is fine for fleshing out a concept but it will never be you. Unless, of course, it is.
All of my comments have been presented on the backdrop that BAIB is indeed useful for framing out musical ideas. So much has been talked about on the subject of projecting the soul of one's music yet it stands to reason that the more an 'artist' relies on BIAB the less it reflects the signature of who you are.
The good news is the software is useful to all of us.
Thanks for the word of caution. I look in the mirror often and judge myself harshly on the musical front. My comment about stripping "BIAB out of the equation" doesn't target those who are excellent songwriters and musicians - only those who think they are because BIAB enabled them to think so.
Where your perception is spot on is there is no way it serves in the category of 'serious music production'. For the record, I thought it might be, but as a guitarist there is no way you can rely on BIAB to play in the same manner you would do for obvious reasons (timing, strumming technique, dynamics, even proficiency). However, you can approximate, which again is fine for fleshing out a concept but it will never be you.
I grant you, a guitarist who bought BIAB in the hopes of using it to make records while recovering from a broken wrist would probably be very frustrated.
Where your perception is spot on is there is no way it serves in the category of 'serious music production'. For the record, I thought it might be, but as a guitarist there is no way you can rely on BIAB to play in the same manner you would do for obvious reasons (timing, strumming technique, dynamics, even proficiency). However, you can approximate, which again is fine for fleshing out a concept but it will never be you.
I grant you, a guitarist who bought BIAB in the hopes of using it to make records while recovering from a broken wrist would probably be very frustrated.
***
This is for Mark and "God": I am so glad that God decided to join the forum by the way. I was wondering what was taking so long. Also God, it is great to meet you, and I was wondering what kind of trip you prefer. Is it shrooms? Are you a shrooms guy or a Ayahuasca guy? Or lady, sorry!
Anyway, by "serious" music production do we mean using some loops in Ableton and writing songs about our wet....hmmmmm....wet noses??? With Justin Bieber?? Would that be serious???
On the other aspects of Band-in-a-Box, has anyone here ever played a studio session??? I mean, actually??
Is it not apparent that aside from whatever guitar you are going to play yourself, and vocals you are going sing, piano you are going to play, violin, pan flute, whatever, that NO ONE (or few) is going to be able to tell that the bass, synth, or mandolin came from BIAB???
A backing track is a backing track.
It is what you DO with it.
Remember????? Writing songs and stuff.
Hello...hello...anyone out there???
Anybody tuning up????
Oh, and Mark, I remember you from that AOL chat room. That was some crazy a.... s.....you used to say, but I will never bring it up.
Promise.
David Snyder Songwriter/Renaissance Man Studio + Fingers
Lyrics Welcome to cyberspace, I'm lost in the fog Everything's digital I'm still analog When something goes wrong I don't have a clue Some 10-year-old smart [*****] has to show me what to do Sign on with high speed you don't have to wait Sit there for days and vegetate I access my email, read all my spam, I'm an analog man.
The whole world's living in a digital dream It's not really there It's all on the screen Makes me forget who I am I'm an analog man
Yeah I'm an analog man in a digital world I'm gonna get me an analog girl Who loves me for what I am I'm an analog man
What's wrong with vinyl, I think it sounds great LPs, 45s, 78s but that's just the way I am I'm an analog man
Turn on the tube, watch until dawn One hundred channels, nothing is on Endless commercials, endless commercials, endless commercials
The whole world's glued to the cable TV It looks so real on the big LCD Murder and violence are rated PG, too bad for the children They are what they see
The whole world's living in a digital dream It's not really there It's all on the screen Makes me forget who I am I'm an analog man
Yeah I'm an analog man in a digital world I'm gonna get me an analog girl Who loves me for what I am I'm an analog man
Yeah I'm an analog man in a digital world
Then you go dig into who really wrote this.
Billy
“Amazing! I’ll be working with Jaco Pastorius, Charlie Parker, Art Tatum, and Buddy Rich, and you’re telling me it’s not that great of a gig? “Well…” Saint Peter, hesitated, “God’s got this girlfriend who thinks she can sing…”
has anyone here ever played a studio session??? I mean, actually??
Guilty. Too many to count over the decades.
Why?
Quote:
…Is it not apparent that aside from whatever guitar you are going to play yourself, and vocals you are going sing, piano you are going to play, violin, pan flute, whatever, that NO ONE (or few) is going to be able to tell that the bass, synth, or mandolin came from BIAB???
Basses always give away that one is using BIAB. There are tricks to humanizing them but I have yet to find the miracle that makes then natural.
BIAB 2025 Audiophile Mac 24Core/60CoreGPU M2 MacStudioUltra/8TB/192GB Sequoia, M1 MBAir, 2012 MBP Digital Performer11, LogicPro, Finale27/Dorico/Encore/SmartScorePro64/Notion6 /Overture5
I can think of one horn guy, Matt somebody, I think he has played a studio session once or twice...lol There is a couple of Bob guys, B3 and Sax, they have been known to lurk around a few studios...lol
I am surprised we have not had a hundred "me too" on the studio list.
Does Sugar Hill count? Or Blacktop studio in Slidell Louisiana?
If I went there in a Studebaker does that disqualify me?
No vinyl but two-inch tape...lol $168 dollars a roll if I remember right.
Billy
Last edited by Planobilly; 12/23/2105:21 PM.
“Amazing! I’ll be working with Jaco Pastorius, Charlie Parker, Art Tatum, and Buddy Rich, and you’re telling me it’s not that great of a gig? “Well…” Saint Peter, hesitated, “God’s got this girlfriend who thinks she can sing…”
Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Windows®
With your version 2026 for Windows Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
Android Band-in-a-Box® App (included)
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Join Tobin as he takes you on a tour of the new user interface in Band-in-a-Box® 2026 for Windows®! This modern GUI redesign offers a sleek new look with updated toolbars, refreshed windows, and a smoother workflow. The brand-new side toolbar puts track selection, the MultiPicker Library, and other essential tools right at your fingertips. Plus, our upgraded Multi-View lets you layer multiple windows without overlap, giving you a highly flexible workspace. Many windows—including Tracks, Piano Roll, and more—have been redesigned for improved usability and a cleaner, more intuitive interface, and more!
Introducing XPro Styles PAK 10 – Now Available for Windows Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Windows Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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