Originally Posted By: rayc
That's cool...
the vocal reverbs don't quite sit the voice IN the mix...I know the "Like a cannonball" part is meant to sound different.
The different spaces make more sense as the song progresses.
There's a little bit of sibilant/plosive stuff you could reduce but, generally, your voice sits in its effects well.
Nice prog touches...
Well done PG.


Hello Ray,

first of all thank you for taking the time to listen and provide me feedback again - it is highly appreciated.

I admit that when using various and different "spaces" on the vocal through a song, this is a bit of a hit and miss thing. During the mixing process, I found especially the vocals in the verses to be quite difficult to sound right. This was mainly caused by I'm at the edge of my singing capabilities, where controlling the dynamics was extremely hard to get right.

I have been shopping quite heavily into plugins during Black Friday in order for me to work with different "colors" of compressing ect - I even bought Waves CLA Suite in order to have a last exit if any other processing chain fail.

I'm glad you hear the progressive - I wanted to give people the tingling sense of Marillion in the early years (Script for a jesters' tear - album)

Again - I highly appreciate you take the time to listen and comment.

Merry Xmas
Peter

MacMini M1 - BIAB2021 - Logic Pro X - iZotope Music Production Suite - Scaler 2 - far too many Waves plugins and Line 6 Guitars and boards + a fantastic Yamaha THR10ll mini Amp - Avid MBOX Studio

Peters' Garage is available on all major streaming services