Just to make explicit what is implied, regarding the original question:

What distinguishes this particular chord progression

C, G/B , Am, Em/G, F, C/E, Dm, C

from its unslashed counterpart is, specifically, a clearly defined descending bass line C B A G F E D C (I changed the final chord to fit.)

Presumably BIAB will generate tracks from such a slashed progression in a way that makes that bass line apparent to the listener. It may sound great, or it may not.

The fact that those chords can be inverted in that way to call out that bass line doesn't mean they should be, as this may have nothing to do with their function in the song, and may in fact distract from it.

Last edited by Mark Hayes; 12/26/21 08:48 AM.