When I make a new connection Will I take a cruel rejection? If I call your home You won’t touch the phone I am all alone
Can’t talk to you, no no no no
How I wish that we were speaking Like a fish my eyes are leaking With a word or two We can make it through So I cry for you
All that I need is some real communication Then I will be freed from this horrible frustration
If I knew you’d get the signal I would make your iPhone jiggle But it goes to mail Digital jail Once again I wail
This is some silly stuff here. It evolved out of an earlier discussion about “reimagining” existing songs using basic compositional tricks. This is NOT “You Won’t See Me”, by Lennon/McCartney.
Synthetic singers by Emvoice and EastWest RealTrack: ~522:Guitar, Acoustic, Fingerpicking Ev 120
NOTE 1/20/22: Replaced original track and updated link. Hopefully fixed the audio masking problems.
The synth voice works pretty well...having a solid melody and lyrics makes a difference. The slightly stranger bvox reinforces the relative normality of the main. Cool.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
The synth voice works pretty well...having a solid melody and lyrics makes a difference. The slightly stranger bvox reinforces the relative normality of the main. Cool.
That's a trick to remember: the more weird makes the less weird seem normal. Thanks! =8^)
I was thinking "This sounds fairly normal..." And then it got to the chorus. Yes, “You Won’t See Me” sprung to mind immediately. Fun listen.
Thanks, it was a fun do! I considered making my protagonist the self-important misogynistic jerk that young Paul McCartney was back then, but I was afraid it would be taken as me being the jerk. Here's Wikipedia's "behind the scenes" story:
"You Won't See Me" is about a crisis in McCartney's relationship with his then girlfriend, Jane Asher. Four years younger than McCartney, Asher was approaching twenty and no longer willing to adhere to his wish that she stay at home and put his interests first. In late 1965, while the Beatles were recording the album "Rubber Soul" in London, she had accepted an offer to appear in a stage production at the Bristol Old Vic theatre. After a heated argument, the couple had briefly ended the relationship. When he then attempted to telephone her in Bristol, Asher rejected him by not returning his calls. McCartney later said that it was "shattering to be without her".
Poor guy! Same attitude he expressed to the same woman in the grotesquely mistitled "We Can Work It Out".
Here's a photo of her doing that which so upset the macho moptop.
PS – Paul wrote the song in the basement of her parents' house, where he was living at the time.
Oddly enough I didn't get You Won't See Me from this, but the chorus brought Flower Duet by Delibes to my mind. I liked it, it was very relaxing to me. I guess I'm easy to fool, the main vocal worked fine for me. The "more weird makes the less weird seem normal" definitely worked on me. Good job all the way around!
Windows 11, Intel Core I5 10400, 16 gig ram, Scarlett 2i2, Sony Acid Music Studio 10, BIAB 2020 UltraPlus Pak
I was thinking "This sounds fairly normal..." And then it got to the chorus. Yes, “You Won’t See Me” sprung to mind immediately. Fun listen.
Thanks, it was a fun do! I considered making my protagonist the self-important misogynistic jerk that young Paul McCartney was back then, but I was afraid it would be taken as me being the jerk. Here's Wikipedia's "behind the scenes" story:
"You Won't See Me" is about a crisis in McCartney's relationship with his then girlfriend, Jane Asher. Four years younger than McCartney, Asher was approaching twenty and no longer willing to adhere to his wish that she stay at home and put his interests first. In late 1965, while the Beatles were recording the album "Rubber Soul" in London, she had accepted an offer to appear in a stage production at the Bristol Old Vic theatre. After a heated argument, the couple had briefly ended the relationship. When he then attempted to telephone her in Bristol, Asher rejected him by not returning his calls. McCartney later said that it was "shattering to be without her".
Poor guy! Same attitude he expressed to the same woman in the grotesquely mistitled "We Can Work It Out".
Here's a photo of her doing that which so upset the macho moptop.
PS – Paul wrote the song in the basement of her parents' house, where he was living at the time.
EXCELLENT, more fuel for my Peyawl loathing fire. I can't abide Mr. Mawkish.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
I was amazed how bright your song is. The guitar, the vocals and that haunting voice at the back. What a wonderful song this is! Intriguing and fascinating. How do you come to this compositions? As I said earlier, I'm not exactly a fan of this style, but I like what you do. Brilliant!
I was amazed how bright your song is. The guitar, the vocals and that haunting voice at the back. What a wonderful song this is! Intriguing and fascinating. How do you come to this compositions? As I said earlier, I'm not exactly a fan of this style, but I like what you do. Brilliant!
Hi, Hans, and thanks! How did I come to this composition? I stole it from Paul McCartney. But then I "music laundered" it in Logic and BIAB by inverting the pitches, jazzing up the chords, and changing the words, so the law can't touch me.
I probably shouldn't do this, but if you don't know it, here's the original. You can hear that while it's not the same song, it's the same song.
Oddly enough I didn't get You Won't See Me from this, but the chorus brought Flower Duet by Delibes to my mind. I liked it, it was very relaxing to me. I guess I'm easy to fool, the main vocal worked fine for me. The "more weird makes the less weird seem normal" definitely worked on me. Good job all the way around!
Thanks! I just gave "Flower Duet" a listen on YouTube (https://www.youtube.com/watch?v=8Qx2lMaMsl8) although I had to flee when those high voices got a little too piercing. I hear what you mean.
If you know YWSM and still didn't hear it here, that is great news! It means I have in fact succeeded in creating something new from something old. But trust me, it's there, and with the right software you could recover it, like the identity of the swirly-faced guy in Thailand a few years back.
I like the idea of turning some existing classic artwork into your own with many new creative ideas and production, much better than doing a lame cover version. This is very fascinating post-modern pop song with interesting chords and melodical changes. I really like the harmonies and backing vocal parts. Definitely original and even futuristic music.
PowerTracks 2026 is here—bringing powerful new enhancements designed to make your production workflow faster, smoother, and more intuitive than ever.
The enhanced Mixer now shows Track Type and Instrument icons for instant track recognition, while a new grid option simplifies editing views. Non-floating windows adopt a modern title bar style, replacing the legacy blue bar.
The Master Volume is now applied at the end of the audio chain for consistent levels and full-signal master effects.
Tablature now includes a “Save bends when saving XML” option for improved compatibility with PG Music tools. Plus, you can instantly match all track heights with a simple Ctrl-release after resizing, and Add2 chords from MGU/SGU files are now fully supported... and more!
Get started today—first-time packages start at just $49.
Already using PowerTracks Pro Audio? Upgrade for as little as $29 and enjoy the latest improvements!
Band-in-a-Box 2026 for Windows Special Offers End Tomorrow (January 15th, 2026) at 11:59 PM PST!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Windows® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PST on Thursday, January 15, 2026!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Windows®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the new AI-Notes feature, which can transcribe polyphonic audio into MIDI. You can view the results in notation or play them back as MIDI, and choose whether to process an entire track or focus on specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Windows®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Upgrade your Band-in-a-Box for Windows to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 for Windows® Special Offers Extended Until January 15, 2026!
Good news! You still have time to upgrade to the latest version of Band-in-a-Box® for Windows® and save. Our Band-in-a-Box® 2026 for Windows® special now runs through January 15, 2025!
We've packed Band-in-a-Box® 2026 with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can process an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Windows®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PST on January 15th, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Upgrade to Band-in-a-Box® 2026 for Windows® today! Check out the Band-in-a-Box® packages page for all the purchase options available.
Band-in-a-Box 2026 Video: The Newly Designed Piano Roll Window
In this video, we explore the updated Piano Roll, complete with a modernized look and exciting new features. You’ll see new filtering options that make it easy to focus on specific note groups, smoother and more intuitive note entry and editing, and enhanced options for zooming, looping, and more.
Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean