La la la la la la la laThat's
exactly the same sad state as the lyrics of the current song I'm working on.
I wish Emvoice gave you a choice of default syllables, or let you set one yourself. It would be fun to have a piece that went "bork, bork, bork!"
Came for the Schönberg, stayed for the horns.
Yay, it worked! Psychologically, at least.
Disappointingly less cacophonous at the end than advertised.

Not to worry, I can fix that. =8^)
More musical than the description led me to believe!

I am finding, more and more, that intellectually interesting, abstract musical ideas can yield dandy, listenable music if you anchor them to emotionally accessible existing material. In this case, I'm anchoring 100-year-old atonal piano music to a collection of hopelessly tonal recordings and forcing them to work out a compromise. It's very dialectical! And I kid but I be serious.
Thanks for listening, and best of luck with the lalas.
Mark
"The present day composer refuses to die!" – Edgard Varese