Originally Posted By: TuneMonger
You know the synth voices have come a long way when you forget that they are synth. I liked Ulysses better than this one, it had a classical crossover quality to it while Nothing Left is pure pop. But this is still good. I liked the quickening in the chorus, I could've stood to hear that chorus a third time.

Hi, Rob.

I agree that the song is a bit short. One more round of the chorus is certainly not a bad idea.

This is a "pure pop" song, and it's not as polished as "Ulysses", either. Plus, I think "Ulysses" has more emotional weight. The "La las" really don't fit, and I'll have to replace them at some point. But the feel of the song is upbeat, which is in contrast with the material

Every song is a different animal, and I never know quite how they're going to turn out until they're done.

Quote:
You're still on an amazing path here, I'll certainly be following every step.

Yeah, this is pretty amazing stuff. Each iteration of the singers adds more features.

It's frustrating because there are things that the voices clearly can't do yet, but it's an amazing tool.

Thanks for stopping by and commenting.

-- David Cuny
My virtual singer development blog

Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?