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#704301 02/12/22 11:50 AM
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Here is my 1st attempt at two new things for me in BiaB arrangements; a tempo change (90 to 120BPM) and a call-and-answer (guitar & organ).

Comments welcome.

https://soundcloud.com/user-646279677/latin-liftoff


https://soundcloud.com/user-646279677
BiaB 2026 Windows
For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
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The music is very nice.
The tempo change comes rather unexpected. Maybe it's an idea to use a full stop on the last chord before the tempo changes.
The call and answer is a good idea. We hear the organ on the left (earbuds) and the guitar in the middle.
Why not let the guitar come from the right?
Just some ideas.

Rob and Anne-Marie


We are Rob Meulman and Anne-Marie Bovenkamp from The Netherlands.

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RnAM #704315 02/12/22 12:37 PM
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Thanks for listening and the useful comments.
It never occurred to me to do a full stop, wouldn't that be more unexpected? Maybe unexpected is more pleasing? I actually increased from 90 to 110 to 120 over 3 bars thinking it would be gradual.

As for the left-right balance on the guitar and organ, that is a great idea! Panning one left and the other right would make the call-answer more dramatic.


https://soundcloud.com/user-646279677
BiaB 2026 Windows
For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
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I gave this a listen because I'm interested in the underused ability to change tempo. But I have to say, in this case, it doesn't sound very musical, it sounds like a turntable speeding up uncontrollably. Going from 90 to 120 over 3 bars is NOT gradual! =8^)

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Mark, this is the kind of feedback I seek as I'm still experimenting with this tool.
Got any tips on tempo changes? Gradual vs sudden? If gradual, over how many bars?


https://soundcloud.com/user-646279677
BiaB 2026 Windows
For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
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Originally Posted By: Bass Thumper
Mark, this is the kind of feedback I seek as I'm still experimenting with this tool.
Got any tips on tempo changes? Gradual vs sudden? If gradual, over how many bars?

Jeez, I don't know, I'm tempted to Google up some recommendations then pass them off as my own, but let me not. =8^)

To be clear, it wasn't so much a musical judgment I was making, as in "too much accelerandissimo!", it was more like: "What I just heard sounded like somebody turned a knob, and now a machine is going much faster." I didn't especially care for the effect, but it may have been exactly what you wanted. It would certainly work for a DJ!

Personally, I think I would go for a full stop followed by an unexpected temp change, which isn't liable to sounding artificially smooth in transition.

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Much appreciated. Not sure if my bass playing is up to a step-change in tempo after a full stop but I'll give it a try.
My other option is to just keep the tempo constant.


https://soundcloud.com/user-646279677
BiaB 2026 Windows
For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
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Things are starting to gel for you.

I'm an not a fan of that abrupt tempo change. I would have liked to hear a subtle tempo change, say 90 to 95, then back down to 90. I have slightly increased my tempo during a chorus then back down during the following verse. YMMV

Sounding better with each post.


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64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
MarioD #704362 02/12/22 04:11 PM
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Thanks to all that commented.
I chopped the tempo change (seemed like a good idea at the time). crazy
https://soundcloud.com/user-646279677/latin-liftoff

I also improved the left-right pan.


https://soundcloud.com/user-646279677
BiaB 2026 Windows
For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
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