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AFAICS it's a bit like buying a signed limited-edition print. Other people can have copies of the print, but only the buyers have the signature. The whole blockchain thing of course has other applications, but this, I think, paints a pretty good picture of what's going on with digital art NFTs. You create a valueless entity and engage with other speculators in the hope of driving it up. Conceptually, it's like selling a notarized statement that someone owns the RAM token of the MP3 of "My Way" you played on your computer on a certain occasion.
Last edited by Mark Hayes; 03/31/22 04:27 AM.
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AFAICS it's a bit like buying a signed limited-edition print. Other people can have copies of the print, but only the buyers have the signature. The whole blockchain thing of course has other applications, but this, I think, paints a pretty good picture of what's going on with digital art NFTs. You create a valueless entity and engage with other speculators in the hope of driving it up. Conceptually, it's like selling a notarized statement that someone owns the token of the MP3 of "My Way" you played on your computer on a certain occasion. I’m not sure that they are all valueless. Sure, there are some that are valueless but imagine that Picasso had created an NFT of the scribble he did on the napkin. That would not be valueless.
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AFAICS it's a bit like buying a signed limited-edition print. Other people can have copies of the print, but only the buyers have the signature The whole blockchain thing of course has other applications, but this, I think, paints a pretty good picture of what's going on with digital art NFTs. You create a valueless entity and engage with other speculators in the hope of driving it up. Conceptually, it's like selling a notarized statement that someone owns the token of the MP3 of "My Way" you played on your computer on a certain occasion. I’m not sure that they are all valueless. Sure, there are some that are valueless but imagine that Picasso had created an NFT of the scribble he did on the napkin. That would not be valueless. I'm not saying the associated art is valueless. In your Picasso scenario, the art would have its usual value and the NFT would have whatever value is generated by speculation. You could actually buy and sell the painting and the NFT separately. One is a painting, the other is a cryptographic entity on a blockchain. You could even create an NFT of the NFT, and buy and sell that independently of the other two. You might become rich that way!
Last edited by Mark Hayes; 03/31/22 04:40 AM.
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AFAICS it's a bit like buying a signed limited-edition print. Other people can have copies of the print, but only the buyers have the signature The whole blockchain thing of course has other applications, but this, I think, paints a pretty good picture of what's going on with digital art NFTs. You create a valueless entity and engage with other speculators in the hope of driving it up. Conceptually, it's like selling a notarized statement that someone owns the token of the MP3 of "My Way" you played on your computer on a certain occasion. I’m not sure that they are all valueless. Sure, there are some that are valueless but imagine that Picasso had created an NFT of the scribble he did on the napkin. That would not be valueless. I'm not saying the associated art is valueless. In your Picasso scenario, the art would have its usual value and the NFT would have whatever value is generated by speculation. You could actually buy and sell the painting and the NFT separately. One is a painting, the other is a cryptographic entity on a blockchain. You could even create an NFT of the NFT, and buy and sell that independently of the other two. You might become rich that way! I’m not sure I understand your point. Some art is made on the computer. It is only digital. There is no physical painting. You could argue the music is an example of “digital art”.
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I think that it would be very enlightening if you keep us informed. Thank you.
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You could argue the music is an example of “digital art” Not in question. Which is why audio tokens of songs are sold, for download or streaming, on services like Apple Music or personal websites. My point is that creating an NFT creates nothing new of value, it only provides a way for people to (A) speculate, in the hope of making money, (B) donate to people they like, or (C) fool around with fun tech stuff for the hell of it. Nothing wrong with any of that, per se, but as outlined in the wiki article, there are reasons for caution.
Last edited by Mark Hayes; 03/31/22 04:58 AM.
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You could argue the music is an example of “digital art” Not in question. Which is why audio tokens of songs are sold, for download or streaming, on services like Apple Music or personal websites. My point is that creating an NFT creates nothing new of value, it only provides a way for people to (A) speculate, in the hope of making money, (B) donate to people they like, or (C) fool around with fun tech stuff for the hell of it. Nothing wrong with any of that, per se, but as outlined in the wiki article, there are reasons for caution. Or (D) own something they love.
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To my way of thinking NFT's are as likely to be pirated and resold as anything else. To do that, one would have to break the encryption.
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NFTs are supposed to gain value due the limited availability of whatever it is you are selling. It is the proof of ownership that is the limited part. I think it is a scheme and probably will be hugely popular. Who knows what is going to happen with all this stuff?
My wife asked if I had seen the dog bowl. I told her I didn't even know he could.
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I hate to upset you, but yes it can be done.
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I hate to upset you, but yes it can be done. You would have to hack, undetected, into thousands upon thousands of computers on which copies of the block chain ledger are stored. It’s not possible. NFTs can be lost and they can be stolen but they can’t be pirated.
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And you really think that there are people out there that cannot do that. Not many, but they are there. They are called hackers.
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NFTs are supposed to gain value due the limited availability of whatever it is you are selling. It is the proof of ownership that is the limited part. I think it is a scheme and probably will be hugely popular. This is 100% accurate. It's already hugely popular. But it's not sustainable. The value of NFTs is entirely based on the expectation that the future value of the NFT will rise, because people are expecting someone in the future will pay more than they did. But the price of something can't continue to rise forever, as people don't have an infinite amount of disposable income. At some point, an NFT will reach an equilibrium price, where the perceived future price is lower that the selling price. Since the only value of an NFT is that it will have a higher price in the future, the last person to purchase the NFT will be stuck holding something of negative value - they can only sell at a loss. The tipping point for NFTs happens when collective value of negative valued NFTs outweights the sum speculative value of new NFTs. At that point, it's game over for that NFT market.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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You would have to hack, undetected, into thousands upon thousands of computers on which copies of the block chain ledger are stored. It’s not possible. NFTs can be lost and they can be stolen but they can’t be pirated. The blockchain assumes it's too big to fail. Unfortunately, there are a lot of sufficiently large bad actors who could prove this wrong. The people who say the blockchain "can't" be hacked are either promoting cryptocurrencies, or lack sufficient imagination.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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The people who say the blockchain "can't" be hacked are either promoting cryptocurrencies, or lack sufficient imagination. Well, a blockchain certainly can’t be hacked by doing something naughty on thousands of personal computers at once, but that wouldn’t be the ticket anyway. You’d find a vulnerability and exploit it from a single node, injecting your toxic transaction and turning it loose to replicate.
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It is an interesting debate for sure on whether the block chain can be hacked or not. I am sure that individual exchanges and wallets can be hacked (for example via the normal phishing type attacks) and the contents of that wallet or exchange can be stolen.
This is the same with any financial institution that has a digital offering.
The difference is that crypto is not regulated and these exchanges don’t have the means or insurance or processes to pay the clients back for what they have lost. Savvy investors know this and mitigate this risk by taking care of their credentials and researching what exchanges/block chains to get involved with. They also don’t put all their eggs in one basket.
But how would someone hack the actual block chain? If anyone has knowledge of how the block chain actually works and has any feasible theories on how this could be done I would love to know because the Bahamas are waiting for me
Last edited by JoanneCooper; 03/31/22 07:01 PM.
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Asking how it would be possible is rather like asking a magician how he does a spectacular trick. You have nothing to fear about it happening to your piece of music. Anyone capable of doing such a thing is highly unlikely to try and do it with a $1 piece of music.
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The value of NFTs is entirely based on the expectation that the future value of the NFT will rise, because people are expecting someone in the future will pay more than they did. ... which is, of course, the way all speculation works, from commodities to art. The trick is to estimate the effect well, and often enough, to gain more than the bad estimates lose.
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
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XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
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Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
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