|
Log in to post
|
Print Thread |
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 8,326
Veteran
|
OP
Veteran
Joined: Sep 2010
Posts: 8,326 |
David, you've always commented on my songs but I haven't heard many of yours until today. Hi, Ronnie! Glad you could stop by for a listen! I love this, it's mellow, and the vocals are breath taking... Thanks! Middle of the road seems to be my wheelhouse. I keep telling myself next time I'll do something more rocking, and then get distracted by all the pretty electric pianos and fingerpicked guitars in BiaB and end up writing something like this.  Thanks for listening and commenting!
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 8,326
Veteran
|
|
OP
Veteran
Joined: Sep 2010
Posts: 8,326 |
Nice one...a very cool example of the synth vocal sitting in a good song. Thanks, ray! There're a few sibilant things that could be addressed...most particularly in the 1st Sunshine. Yeah, I really should go through this and do a bit more cleanup. Part of my motivation is that I wanted to get it out the door (so to speak) and figured it was "good enough". That's not really a good reason, is it?  The other thing is that I'm a bit leery about overdoing the correction of the sibilance and end up with a bunch of lisping vocals. Since the aspiration is on a separate track, I really don't have any excuse not to apply a de-esser. I guess it's time to pull out BlockFish and learn how to use it.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 8,326
Veteran
|
|
OP
Veteran
Joined: Sep 2010
Posts: 8,326 |
Thanks, Byron. Wait! The vocals are fake? I tell you, they actually sound more real than some of the auto-tuned vocals from actual humans that I've heard. Pretty cool, huh? I used to post a bit more prominently that I was using synthetic voices, but I figured most people had figured it out by now, so it wasn't necessary. As long as they don't distract too much from the song, it's fine for my purposes.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Nov 2003
Posts: 621
Journeyman
|
|
Journeyman
Joined: Nov 2003
Posts: 621 |
Yeah. That's a pretty amazing piece of software. Its not really obvious, but when you listen closely there is something "not quite right" about the vocals. I think it is that they are too pitch perfect and lack the various inflections that real singers have. But I also think that because they are initially generated pitch perfect they also lack some of the weird artifacts that heavily auto-tuned vocals have.
Byron Dickens BIAB. CbB. Mixbus 32C 8 HP Envy. Intel core i7. 16GB RAM W10. Focusrite Scarlett 18i 20. Various instruments played with varying degrees of proficiency. https://soundcloud.com/athanorsoundlabs
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 8,326
Veteran
|
|
OP
Veteran
Joined: Sep 2010
Posts: 8,326 |
I think it is that they are too pitch perfect and lack the various inflections that real singers have. But I also think that because they are initially generated pitch perfect they also lack some of the weird artifacts that heavily auto-tuned vocals have. There's actually an option to "auto-tune" the vocals, that does the exact opposite of what you might think. In the Vocaloid and UTAU community (which is where SynthesizerV came out of) the term doesn't refer to pitch correction - the pitch is already "correct", as you hint at. "Tuning" in this context refers to the process of adding the elements of performance such as vibrato, over and undershoot, and the "imperfections" of a real vocal performance. SynthesizerV is trained on example songs in the singer's style, so it's able to apply the performance "tuning" automatically. At least, as far as the pitch is concerned. So the vocal actually does have the imperfect pitches inflections that a real singer has. There are a lot of other factors that you can control in SynthesizerV, such as Loudness, Tension, Breathiness, and so on. But there's no obvious way to observe these features - and thus train a neural network on them - so only Pitch Deviation is the only "automatic" feature in SynthesizerV. The rest would have to be tweaked by hand - which in this case, I didn't do.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2016
Posts: 7,314
Veteran
|
|
Veteran
Joined: Apr 2016
Posts: 7,314 |
I really don't have any excuse not to apply a de-esser. I guess it's time to pull out BlockFish and learn how to use it. I'd heartily recommend not using a de-esser but using a pre effects volume envelope to reduce the level of the esses. It'll take a little longer BUT the results are better. If your DAW allows spectral representation then it'd be even easier.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2019
Posts: 5,189
Veteran
|
|
Veteran
Joined: May 2019
Posts: 5,189 |
What a brilliant job of creativity, David. Right from building the band, modifying the changes, picking the singer. Man, I really like the drums you've fashioned here. Terrific strings, too.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2009
Posts: 10,999
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 10,999 |
I had as much fun reading your notes in the OP as I did listening to this song. I enjoyed your blow by blow on how you did things, paying attention to the smallest details to get it right. I liked how you copy and pasted the "d" in I'd to have it sound correct. That sounds like one of my editing sessions.... "hey, that kick/drum fill sounds good there.... I'll drop that fill into THIS spot and...waaa laaa, yep, that's so much better!"
So much work went into this. I'm 100% with you on lyric writing.... to me, that's always the hardest part of any song project...so many starts and an almost equal number of dead ends. One never knows where the next flash of divine inspiration will come from.
You have become a master of the synth voice. Unless one listens closely, it is very difficult to tell this is a synth. The amount of learning to get that sounding real, is astounding.
I thought I heard a really clicky sounding drum track.... but I listened on my buds and in the buds, this sounded even better...fuller, with a nice ear candy kind of sound and the clicky drums were not in evidence. So it must have been the crappy computer speakers on this desktop.
Nicely done.
Last edited by Guitarhacker; 04/10/22 03:57 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 8,326
Veteran
|
|
OP
Veteran
Joined: Sep 2010
Posts: 8,326 |
I'd heartily recommend not using a de-esser but using a pre effects volume envelope to reduce the level of the esses. It'll take a little longer BUT the results are better. If your DAW allows spectral representation then it'd be even easier. Hi, Ray. That's what I normally do.  But I figured I'd take this as an opportunity to actually learn how to use the de-esser, even though in the end I'd likely go the route you suggested anyway. Edit: I just watched this video showing that Reaper lets you select a time segment, and use Ctrl+Shift+MouseDrag to quickly build volume envelopes. That's a time saver I wish I knew about that'll make this much easier.  I should spend more time reading the manual, little things like this make a big difference!
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 8,326
Veteran
|
|
OP
Veteran
Joined: Sep 2010
Posts: 8,326 |
What a brilliant job of creativity, David. Right from building the band, modifying the changes, picking the singer. Man, I really like the drums you've fashioned here. Terrific strings, too. Hi, Marty. Thanks, I appreciate your positive comments! I'm still a bit on the fence about the drums, but probably too lazy to change them. After a while, things start to grow on you... even parts of the song you might not have been so keen on from the start.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 8,326
Veteran
|
|
OP
Veteran
Joined: Sep 2010
Posts: 8,326 |
I had as much fun reading your notes in the OP as I did listening to this song. I enjoyed your blow by blow on how you did things, paying attention to the smallest details to get it right. Hi, Herb. Actually, there were a number of things that I skipped, like fixing the level of the plosives and sibilants. Gotta go back and do that now. I also didn't do the usual shaping with the other Parameters, because I was happy with the results as they are. I might go back and see if playing with those makes any difference. You know the story - you're never finished with a song, you just run out of time. I'm 100% with you on lyric writing.... to me, that's always the hardest part of any song project...so many starts and an almost equal number of dead ends. One never knows where the next flash of divine inspiration will come from. I keep promising myself I'll do it the other way round, but I never do. It feels like I don't have a natural-born storyteller bone in my body. Instead, writing is a process of refining via editing, and it takes a while to figure out what a song wants to be. David Snyder kindly gave me a chorus the other month, and I found I couldn't do anything with it. I just haven't figured out how to make my brain work that way. I suspect that a lot of it has to do with my inner editor insisting that I try to write something original, despite the fact that it's all been said before, and said better. I think one of the reason this "backwards" process works with me is that eventually my inner editor to throw his hands up in exasperation and accepts that it's OK to write a simple song. You have become a master of the synth voice. Unless one listens closely, it is very difficult to tell this is a synth. The amount of learning to get that sounding real, is astounding. I'd like to take some credit here, but a lot of it is the program. Plus, I've heard what others done that just blows me away. It reminds me that there's still a lot that I need to learn! I thought I heard a really clicky sounding drum track.... but I listened on my buds and in the buds, this sounded even better...fuller, with a nice ear candy kind of sound and the clicky drums were not in evidence. So it must have been the crappy computer speakers on this desktop. There's another place where I skimped. I've got a bunch of speaker simulations that let me test the mix under different settings. And I haven't listened to it in my car yet - the most brutal of all test for the mixes! Thanks for your in-depth comments!
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2014
Posts: 8,530
Veteran
|
|
Veteran
Joined: Aug 2014
Posts: 8,530 |
Hey man. This sounds cool. Loved that style. I will have to try that one out myself. Really nice arrangement here. On the finger squeaks, I mentioned elsewhere that I lucked into an inexpensive version of Rx9 Standard and they "have an app for that." It works really well and is super easy. I will be using it a lot. There was not enough information about your process though. Could you add a few more pages???
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 8,326
Veteran
|
|
OP
Veteran
Joined: Sep 2010
Posts: 8,326 |
Hey man. This sounds cool. Loved that style. I will have to try that one out myself. Hi, David. Glad you could make it by! I have a feeling that your song using this style will be entirely different than anything I could imagine! On the finger squeaks, I mentioned elsewhere that I lucked into an inexpensive version of Rx9 Standard and they "have an app for that." It works really well and is super easy. I will be using it a lot. Way back when, I'd purchased Spectro for doing spectral edits. But it's now built into Reaper, so I could have used that. But why do it the right way when the quick and dirty solution works just as well? There was not enough information about your process though. Could you add a few more pages??? That's what I'm doing responding to people's comments. Can't you tell? Thanks for listening and commenting!
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Nov 2006
Posts: 4,654
Veteran
|
|
Veteran
Joined: Nov 2006
Posts: 4,654 |
Spring with quite deep melancholy, surprising combination. Not inside looking out, but outside looking in. Interesting chord progression, wasn't sure whether there was a discord, but it works anyway. Nice calm arrangement, I like especially the cello and picking guitars. Qing Su has a nice voice, little bit breathy, but doesn't bother me. And I'll be waiting for your song with a chorus in it Janne
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 16,291
Veteran
|
|
Veteran
Joined: Dec 2011
Posts: 16,291 |
Firstly we enjoyed reading the track listing, the fx section and the entire backstory.
I wish more folks would include "how it came about" and "what's in it" info.
Janice immediately noted how much she likes the prosody of this ... and all your lyrics.
We like the new singer and, yes, she does have a bit of the Vega vibe ... had to sneak in an alteration.
Nine RT's and a RD and yet the mix sets up an excellent soundstage.
That ain't easy to do in our book.
Last but assuredly not least the melody is excellent.
Dunno how you do it but you do it well and we enjoyed the listens.
J&B
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! A few of our videos are here on our website: https://www.janiceandbud.com/our-music.html
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2008
Posts: 854
Expert
|
|
Expert
Joined: Dec 2008
Posts: 854 |
Amazing vocal AI ... I have never heard a AI sound so real. Where do you get this from?
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 8,326
Veteran
|
|
OP
Veteran
Joined: Sep 2010
Posts: 8,326 |
Hi, Janne. Spring with quite deep melancholy, surprising combination. Not inside looking out, but outside looking in. Well, there's a season of Lent that precedes the Easter that's traditionally a time for introspection and change. So it's sort of baked into my Liturgical calendar, even if I stubbornly refuse to make any progress from year to year. Interesting chord progression, wasn't sure whether there was a discord, but it works anyway. Good ears! It flirts just a bit with chromaticism and a bit of ambiguity of key in places. Nice calm arrangement, I like especially the cello and picking guitars. Thanks! There are some really pretty sounds in BiaB, and these are some of my favorite. Qing Su has a nice voice, little bit breathy, but doesn't bother me. I'm glad the voice worked for you. And I'll be waiting for your song with a chorus in it That makes two of us - I'll see what I can do. Thanks for stopping to comment! Janne [/quote]
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Mar 2018
Posts: 7,397
Veteran
|
|
Veteran
Joined: Mar 2018
Posts: 7,397 |
Chorus? What chorus?
David, amazing write. Neat mix of genres. Very creative stuff. Robo girl stood up well against this non-mainstream tune. Mix is excellent to my ears. Smooth listen. Good one!
Thank you for sharing.
Misha.
P.S. I have a non-BIAB musical buddy. He was playing around with vocal synths for BGVs, but when I played your last song for him, he was totally blown away.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2015
Posts: 3,219
Veteran
|
Veteran
Joined: May 2015
Posts: 3,219 |
David,
Very sweet song!
SynthesizerV: Qing Su is wonderful.
And the drum sound is so interesting.
I think that the chord progression is well devised, including the pedal point of the bass.
However, since various melody motifs come out, that is, the composition of the song is a little complicated, I am worried that it is difficult to remember all the melodies.
But the whole atmosphere is very nice. It's very comfortable.
I also think Qing's voice fits this song very well.
Enjoyed my listen a lot.
Best regards.
Shigeki Adachi
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Jun 2012
Posts: 21,135
Veteran
|
|
Veteran
Joined: Jun 2012
Posts: 21,135 |
Remarkable quality of the vocal synth, delivering a cleverly rhyming set of lyrics.
Your choice of band members sits perfectly with this song, and the subsequent 'tweaking' has provided a worthwhile result.
Nice job, no question.
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
Peter Gannon Talks Band-in-a-Box with zplane
zplane recently interviewed Peter Gannon, the founder and creator of Band-in-a-Box, about the software's early days, what sets it apart from AI, how zplane's audio algorithms are used in Band-in-a-Box, and more!
Special thanks to the team at zplane for their continued support.
Check out the full interview here: https://products.zplane.de/blog/peter-gannon-interview-pg-music
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Holiday Weekend Hours
It's Victoria Day Long Weekend in Canada. Our Customer Service hours are:
Saturday, May 16: Closed
Sunday, May 17: Closed
Monday, May 18: 8:00am - 4:00pm
Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Don't wait - order today!
Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
|
|
|
|
|
|
|
|
|
|
|
|
Forums57
Topics86,553
Posts806,562
Members40,153
| |
Most Online64,515
Apr 8th, 2026
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean