Sure.

There are lots of conventions that can be effective when writing a song’s bass line. Descending bass lines are powerful, but so are ascending bass lines, circle of fifths, pedal bass, doubling the melody, rhythmic hits, counterpoint etc. I wouldn’t call any of these more ‘important’ than any other. Use what works in the song, including more than one of these or none of them. Of course, a good strong bass line is a key component of a song and must mesh well with the melody, but I don’t think you can draw any conclusions about what kind of bass line makes things easier for a singer. If you think you’ve somehow been missing out, I wouldn’t worry about it.


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