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Has the potential of being a good song, Ray. I'm looking forward to hearing how it develops. Vocal sounds good, initially I thought it was too low in the mix, but as the song progressed it seemed to fit better. Not very helpful I know!  Thanks Blue - any honest comment is useful.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Ray, an interesting song with intriguing lyrics.
This could easily be something from the 'Pet Shop Boys'.
Perhaps as a suggestion you could edit the start to take out the 2 bar count-in, which is ideally not part of the song.
I also think the vocal could come forward slightly in the mix.
It includes an interesting ending. Somehow there's and anticipation that it will resolve to a different chord, but leaves some suspense instead. Thanks AudioTrack, PSB's do have a deft hand at melancholy with a pulse. I'll def excise the count in when I've had it mastered. I keep them in so I have an accurate time frame if someone comments based on time. M.E. prefer to have a couple of seconds out front for a variety of reasons. Once I've collated an albums worth of masters I'll definitely be chopping those bit off. The vocal will be resettled once the cello is in - I'll attempt to have both at the same level. My fingers did move to a resolving chord for the end but I resisted.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Good job! I like it ... sad, soft and sensitive. My kind of song! :-)
I, too, would have appreciated the vocals just a tad more "in front" ... otherwise the very tune gets lost, and that would be a pity, right? Enjoyed the (as others have said) suspensful nature of the ending, too. Nice! :-) Thanks James, I'm disinclined to resolution generally.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Very cool lining up a cellist. Did you write specific parts for her? Sad lyrics. Very sad not to be part of the WE. I really like your vocals, Ray. When you say they are triple tracked, you don't mean 3 takes, right? How do you process them differently, or is it just for panning to make it fuller? Thanks Marty, I've left the cello part to the cellist - she knows the chords, often bounced her ideas from the bass line - we shall see. Same with the coming guitar part. Yes - three takes = three tracks. All processed the same though I admit to only manually de-essing the main - the other two have a Tonmann de-esser cover the problem. The slight panning and natural chorusing give it the fuller sound. The compression, EQ and reverb send are on the vocal bus.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Ray,
I really like the chord progression and the song itself. Great lyrics. This sounds like a worktape to me in terms of mix.
A lot of the stuff is in the same dynamic range and even has the same sound, so it is getting mushed. The backing track sounds muffled, and almost like one track--not a mix.
I would get the bass and drums sounding punchy and solid, then add in new guitars, as you say, that have totally different dynamic ranges to make the song more crisp. Maybe an electric AND an acoustic, or something.
Anyway, you are definitely off to a good start!!
Thanks for the detail David, I've not done too much as I'm waiting for the collaborators' parts before doing too much more. I spent some time EQ carving to sit the bass & kick though I've not thrown a punchy compressor on them alone or as a rhythm bus. I know the cello, at least, will render some of that EQing a waste of time. As the existing guitar parts are Amp In A Box DI jobs they were too crisp & fizzy so did a very blunt edged chop on them. The sound of my Marshall should offer some dynamics when I get to it. Acoustic, hmmm, interesting. Again ta for the detail.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Hi Ray ...
I like the bones of this song. I don't typically offer a lot of commentary of a song still in progress with significant developments still in waiting. I feel the composer should finish it out as he/she feels it best occurs. But I don't mind offering an opinion on the potential. I think this one has a lot.
Good luck with the song's progress. Anticipate a nice listen when it's finished and polished. Good luck with it ...
Alan I like to post WIP s to get perspective....I know it's a cop out in some ways but living in isolation with no one for feedback, (my wife & sister-in-law don't like my music), I need "other ears" Thanks for lending yours.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Great concept and unique angle to the hook, Ray!
If you want this to be more commercially accepted, you may consider chopping a measure at the end of each verse line. This would take out the space and, of course, decrease the song length. Commercial songs are moving to 3 to 3:30 minutes these days.
BYW, love the cello Thanks Dewey, I'm not adverse to commercial acceptance but I don't court, expect or consider it. I will try your suggestion about the length of the progression under the phrases. I placed space around this vocal in this one because I usually fill up all available time with words. I've noted that many, many songs that hold the attention of users of the main streaming platforms are often 2mins + and def. less than 3. The BIAB cello is usually very good. I have high expectations for the part coming.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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ray,
Listening to V2 (missed the first one).
LOVE the vocal. Especially the sound at "If I'm doing well" and "There's nothing I can tell". Tight and right on top of the main vocal - actually sounds generated - very "today" sound.
Drums sound good. Cello bits are cool.
The guitars sound good. But I thought they were a bit too "smooth"... the steady strumming.
Had the thought that some kind of odd, signature arpeggiated guitar (and/or synth?) might work.
I could certainly be wrong about that though. Just a thought.
I like what you've got so far.
fj
Thanks Floyd, I neglected to mention, in the OP, that the harmonies on the otherwise unison tracks are "tuned". I have enough trouble hitting the basic notes and only accidentally do the harmony ones. As I was constructed the vocal melody, in the hope of finding another to sing it, I "generated" the potential harmonies...simply triads of course. I'll experiment with arp guitar figure thing and hope that something pops up. Thanks for the idea. Yes, I hope the conscripted guitar player has some good voicing and riff/strum to lift the song otherwise I'll have to go back and do the current ones properly.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Ray,
I was pleasantly surprised by the 80s like vocal in this.
In the final mix I would leave out the BIAB intro ticks and make your vocal a little bit hot and bright (a little bit muddy now).
Rob Thanks rob. I, eventually, leave out the count in. As mentioned elsewhere, M.E.s usually like some space at the beginning of a track AND retaining the intro allows for accurate time references. Many of my mastered songs still have the count in but any/all will be truncated by they time they appear on /in an album. I was shocked by the 80sness given how much music from that decade I dislike - must be osmosis.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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The cello is such a good fit for the mood of this song and we look forward to hearing the “guest” player.
The sentimental fool here (Janice) wanted to cry when she first read the lyric. Excellent!
We like your lead and harmony vocals and feel that they are just enough forward in the mix.
The drums, piano and, of course, your bass and guitars are very nice.
We like the ending and feel it fits the lyric well!
J&B
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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The cello is such a good fit for the mood of this song and we look forward to hearing the “guest” player.
The sentimental fool here (Janice) wanted to cry when she first read the lyric. Excellent!
We like your lead and harmony vocals and feel that they are just enough forward in the mix.
The drums, piano and, of course, your bass and guitars are very nice.
We like the ending and feel it fits the lyric well!
J&B
Thanks Bud & Janice, As I started on the chords I thought of cello so it was "in there" almost from the word "go" - the cellist is committed to playing on it but has other pressing life commitments...she's worth the wait. Well, if Janice was moved by the lyric then I've achieve sappy/sad Nirvana. The emotion she wrenched from my last set of lyrics proves she more than adept at "emoting" in song. As I'd initially track parts D.I. I didn't have an opportunity to add a tail to the piece until I dragged out the eBow...it does those thing well. Little pain the the posterior that it is.
Last edited by rayc; 05/14/22 12:44 AM.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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