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Deutsches Band-in-a-Box User Forum
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Joined: Aug 2009
Posts: 28
Enthusiast
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OP
Enthusiast
Joined: Aug 2009
Posts: 28 |
Hallo zusammen, ich habe festgestellt, dass insbesondere mit diesem Bass bestimmte Anweisungen wie z.B. "Ab/Eb" nicht funktionieren. Nehme ich einen anderen RT-Bass funktioniert es erwartungsgemäß. Andere Kombinationen wie z.B. "Bb/Eb" werden ebenfalls korrekt interpretiert. Screenshot Kann das jemand bestätigen bzw. gibt es eine Lösungsmöglichkeit? Vielen Dank. Greetz,
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Deutsches Band-in-a-Box User Forum
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Joined: Sep 2005
Posts: 487
Journeyman
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Journeyman
Joined: Sep 2005
Posts: 487 |
Hallo hp, hast Du das RT-Update vom 3. Mai schon eingespielt? Laut release-notes wurden die Slash-Akkorde auch für den angesprochenen Bass verbessert: http://www.pgmusic.com/realtracks1-82_may3-2010_update_list.htm Schau unter #902 ff. Ralf
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Deutsches Band-in-a-Box User Forum
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Joined: Aug 2009
Posts: 28
Enthusiast
|
OP
Enthusiast
Joined: Aug 2009
Posts: 28 |
Hallo Ralf,
vielen Dank für Deine schnelle Antwort - tatsächlich hatte ich keine Updates installiert. Ich war irgendwie davon ausgegangen, dass man darüber informiert wird, wenn Updates zur Verfügung stehen.
Hat mein Problem allerdings nicht beseitigt, der Kollege will sich einfach nicht an meine Vorgabe halten. ;-))
Vielleicht hat ja einer der Gurus noch eine Idee, bzw. kann ein anderer User die Erfahrung bestätigen.
Vielen Dank noch einmal und schönen Abend...
Greetz,
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Deutsches Band-in-a-Box User Forum
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Joined: Sep 2005
Posts: 487
Journeyman
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Journeyman
Joined: Sep 2005
Posts: 487 |
Hast Du zusätzlich auch das MAC-Upade Build 16 vom 04. Mai? Bin WIndows-User, daher kann ich Dir beim MAC nicht helfen.
Die Bug-Patches werden übrigens nicht angekündigt. Einfach regelmäßig auf der Supportseite nachschauen. Rechte Spalte zeigt immer die aktuellsten Patches.
Ralf
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Deutsches Band-in-a-Box User Forum
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Joined: Sep 2005
Posts: 487
Journeyman
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Journeyman
Joined: Sep 2005
Posts: 487 |
Hallo hp,
habe mit der Windowsversion von BIAB 2010 gerade mal ein wenig herumgespielt. Diese spielt mit dem RT #902 Bass bei Slash-Akkorden korrekt den zum Akkord angegebenen Basston. Also bei Eingabe von Absus2/Eb erklingt ein Eb. Da der RT-Bassist #902 ja keine Akkorde zupft, sondern Singlenotes spielt, spielt er natürlich die tiefste Note des Absus2/Eb - also das Eb. Bei anderen Akkorden entsprechend (z.B. bei Bb/Eb)
Bei Deinem Arrangement aus dem Screenshot, bei der ja die Bassnote Eb 12 Takte lang stabil bleiben soll, läge das ja auch in Sinne des gewollten.
Welche Note spielt der Bass denn bei Deiner MAC-Version beim Absus2/Eb?
Gruß Ralf
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Deutsches Band-in-a-Box User Forum
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Joined: Aug 2009
Posts: 28
Enthusiast
|
OP
Enthusiast
Joined: Aug 2009
Posts: 28 |
Hallo Ralf, komme erst jetzt wieder dazu hier zu schauen und vorab: Vielen Dank für Dein Kümmern! Es ist tatsächlich so, dass der Bass auf das Ab wechselt, was er eben genau nicht soll. Mir fehlt es momentan ein wenig an Zeit, sonst hätte ich schon etwas mehr probiert, bei welchen Akkord/Bass-Verbindungen es klappt und bei welchen nicht. Es sind in jedem Fall bestimmte und nur bei genau diesem Bass. Nimmt man den "Bruder" für das Tempo 100 bleibt er beim Eb. Habe aber ganz schnell eben noch mal ein nur zweitaktiges Pattern erzeugt. Die Verwirrung steigt. Jetzt streikt auch noch der E-Piano-Spieler. Ich habe probehalber mal Ab/E eingegeben. Dann denkt sich der RT-Keyboarder: Klingt Sch..., was der Dussel sich da ausgedacht hat und spielt E-Dur. ;-)) (habe extra den Bass gemutet, um es genau hören zu können) Anderes Beispiel: Ab/F - Der Bass (100 und 75) spielt brav sein F, der Keyboarder macht F-moll daraus (wieder solo abgehört) - für mich als Amateur ergibt sich aber ein Unterschied, ob ich im Akkord die 6 mitspiele, was dann ja tatsächlich als F-moll7 interpretiert werden kann, oder ein sauberes Ab als Akkord und ein F im Bass. Einer noch: Ab/C - Der 100er Bass spielt das C, der 075er wieder sein Ab. So, für mehr Beta-Testing reicht die Zeit leider nicht. Für die bis hier investierte Zeit müssten die PG-Kollegen eh schon ein paar kostenfreie RT-Sets spendieren. Und das Schweigen der Gurus ruft mir den kürzlich gelesenen Satz "The Clue Phone is ringing, and it's for you..." in Erinnerung.  Nochmals vielen Dank und schönen Abend... Greetz,
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Deutsches Band-in-a-Box User Forum
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Joined: Aug 2009
Posts: 28
Enthusiast
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OP
Enthusiast
Joined: Aug 2009
Posts: 28 |
Hey Ralf, nochmals danke für die Info - ich bin nicht allein!  In das englische Forum habe ich noch nie gesehen, vielleicht auch ein Fehler. Aber ich habe schon die ganzen Yamaha-Foren im Auge, man will ja auch noch mal spielen oder üben, gelegentlich... Da sind wir aber wirklich mal gespannt! Danke auch für Deinen Beitrag dort mit Bezug zu meinem. Ciao, bis die Tage...
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Deutsches Band-in-a-Box User Forum
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Joined: Sep 2005
Posts: 487
Journeyman
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Journeyman
Joined: Sep 2005
Posts: 487 |
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Deutsches Band-in-a-Box User Forum
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Joined: Aug 2009
Posts: 28
Enthusiast
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OP
Enthusiast
Joined: Aug 2009
Posts: 28 |
Super-Service - danke schön.  So long,
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Ask sales and support questions about Band-in-a-Box using natural language.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
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Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
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