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I listened to forum member, Sundance, +++ COVER +++ of Michael Jackson & the Jackson Five's song, "I Wanna' Be Where You Are". One of the things that struck me is how different the cover is from the original recording. That in itself is not new as there are many instances where a cover has taken a song in a new direction. One example is the original "Mother Nature's Son" by +++ The Beatles +++ versus a cover by +++ John Denver +++. It amazes me how someone can hear a song in a new and different way.

All of that is so I can get around to asking this question, "When you use Band-in-a-Box to produce a song can you maintain the song as you first envisioned it or does Band-in-a-Box influence the final production results?"


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As a composer I don’t do covers, although I do sometimes do transcriptions for pay. BIAB absolutely always sends me in a different direction than I had envisioned, and I think that’s great!


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I actually don't use BIAB much, but when I do, that's exactly what I use it for: to take me off in a different direction than I would go otherwise.


Byron Dickens

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I agree with the gentlemen above.
Almost without exception, when I approach BiaB with a song idea in my head that I really want to create, that once I get going, I find myself "off the path" that I started on.

I suppose that could be viewed as lack of discipline(bad) or flexibility(good). Forced to choose, I'd say good.


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Jim, my answers to those two questions are yes and yes. Sometimes I know exactly what I want and what style to use to achieve it. But many times BiaB leads me down a different path. BiaB is great for learning and creating new genres. If I didn't have BiaB I wouldn't be doing half of the music that I am doing today.


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For me it's very easy to fall down the rabbit hole that is all things Band-in-a-Box and lose my original song arrangement or concept in the process. I can easily audition styles and RealTracks for hours! When I think a song is interesting enough to retain the original I'll generally take a couple steps that help me to keep on track.

One is to make a rough draft audio file. It might just be me humming, playing a guitar or singing but I catch what I can while the song is fresh on my mind.

Second is to make audio notes detailing what I want in each segment of a song.

Between the two if I get led too far astray I have audio to remind me of my original idea.


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As I use mostly my own playing I have a fair idea of what I want to do and the prog doesn't dictate direction much.
I use it occasionally to try a different style or flip between options I'd planned, (like the jazz n rock versions of the same song I recently posted).
Mother Natures Son has few excellent covers - Denver's is a winner in the direction it takes the guitars but his vocal seems out of place. Nilsson's voice with Tipton's arrangement made it something different and interesting but "soft" as the mawkishness of McCartney seemed to appeal to Harry. It's part the iconic nature of the original and partly that it's a complex but not very exciting song...soporific even.

Using BIAB to create a cover can be problematic as it can, as shown, make things rather bland/generic unless care is taken.
I did one cover earlier this year - my 1st - and I deliberately took it in a different, aggressive direction but the process began with a BIAB style in mind - though it was heavily altered with me adding bass, guitars and "vocal".




Last edited by rayc; 08/15/22 10:15 PM.

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rayc
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I would think the more tracks a user creates for a song project the less opportunity Band-in-a-Box has to take your vision in a new direction. For example I believe it would be difficult to go too far off track with user created keyboard, guitar and vocal tracks.

One of the nice things about Band-in-a-Box is you do not need to be a vocalist or musician to enjoy using it. But depending exclusively on Band-in-a-Box limits a user's ability to determine the outcome.

Some ways a non musician or vocalist user can personalize tracks is through editing MIDI, choosing a virtual instrument or applying loops. All of those choices go outside the Band-in-a-Box norm but are available for use in Band-in-a-Box.


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It's always a chart smashing hit in my head..... now, If I can just get that to translate to the demo.


Actually, No. What I hear in my head for a given song always takes a different route when I select the style and start working on the song in BB. I can't say it's a lesser version because that's not true. It's just that it rarely ever turns out exactly like I was envisioning the song. Like I said, different doesn't mean it's not as good. It just means that it took a slightly different route in the audio world. And sometimes, it actually does turn out better than I was hearing it in my head. Those are the magical ones.


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To
Originally Posted By: Guitarhacker
It's always a chart smashing hit in my head..... now, If I can just get that to translate to the demo.


You're not using the right magic VST plugin.


Byron Dickens

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Steve

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Hey Buddy Steve!!

smile

Man,some VST plugins ARE magic. I have a close to 1,000.

The one I would never give up is free and it's by Sonible and Focusrite, called "Balancer."

I use it on every mix on almost every track. It is extremely lightweight and non-intrusive but it will, among other things, make that BIAB acoustic, or piano, or cello sound exactly the way you want it to, or close, in half a second.

https://www.sonible.com/balancer/

But then, there is also Abbey Road Chambers by Waves, or the TG Mastering Desk and hundreds of other things I can't live without now.

Plugins are cool!!

But, if I could only have one....

Balancer.

And it's free.

smile

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David,
I watched the Focusrite vid for Balancer...interesting short cut thing.
I've downloaded it to experiment...can't hurt to play with it can it?
Thanks.


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rayc
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BUMMER,
needs an activation code from a current Focusrite account.
My Gen 1 Solo is out of date so no go.


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rayc
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Originally Posted By: rayc
BUMMER,
needs an activation code from a current Focusrite account.
My Gen 1 Solo is out of date so no go.


Strange, my account for my Gen 1 Scarlet 8I6 worked fine.


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Originally Posted By: Jim Fogle


All of that is so I can get around to asking this question, "When you use Band-in-a-Box to produce a song can you maintain the song as you first envisioned it or does Band-in-a-Box influence the final production results?"


Yes.

It all depends what I’m going for.


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Mike Halloran,

How do you maintain your first vision of a song project as you heard it in your head while not letting Band-in-a-Box not influence the final product? If I audition styles those styles influence me.


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Originally Posted By: CeeBee
Originally Posted By: rayc
BUMMER,
needs an activation code from a current Focusrite account.
My Gen 1 Solo is out of date so no go.


Strange, my account for my Gen 1 Scarlet 8I6 worked fine.


I've always had trouble with mine - may just be me CeeBee.
BUT it's now irrelevant as Sonible sent a key with the sign up confirmation so I can grab it and David was correct - free.


Cheers
rayc
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When I do a cover I have a certain style in mind and BIAB is great for letting me flush that idea out. That's one of the things I like best about the product. So yes, BIAB does influence the production result. For example my latest cover is a soul song but I wanted to use a Bossa Nova Rhythm. BIAB was excellent in helping me work that out. When I did "Walk On BY' as a Disco Song BIAB Certainly influenced that outcome. So for me I would have to say that BIAB definitely influences the outcome based on Rhythm, key instruments that I use, etc..

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Originally Posted By: rayc
Originally Posted By: CeeBee
Originally Posted By: rayc
BUMMER,
needs an activation code from a current Focusrite account.
My Gen 1 Solo is out of date so no go.


Strange, my account for my Gen 1 Scarlet 8I6 worked fine.


I've always had trouble with mine - may just be me CeeBee.
BUT it's now irrelevant as Sonible sent a key with the sign up confirmation so I can grab it and David was correct - free.

Then again..my problems with FREE suppliers continues. The key isn't enough, nor an account...it required ONLINE authentication.


Cheers
rayc
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Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!

Special offers until December 31st, 2025!

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Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!

In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!

Special offers until December 31st, 2025!

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