Programming it with a slash chord works, but it becomes pretty monotonous because the bass doesn't change the rhythm any. It just plods along playing a note every beat. I was looking more for a way to make it stay on the one note but vary the octave and add syncopation, the way it would do naturally if I just let it do its own thing with the chords.
Equipment: Yamaha 5'6" grand piano. BIAB for Macintosh 2017 --> 2020. MacBook Pro. Focusrite 2i2, Yamaha YC 88 keyboard
"Why do I have to go to school, Grandad? If I watch YouTube I'll know everything!" - Grandson #3
You may be confusing "slash chords" with pedals. If a chord with an /x after it plays only one note in quarter beats, it's because it likely plays one note in quarter beats under the natural root. You should enter the slash note with your chord entry by computer keyboard. (Chord name) / (New Root). Different bass RT's will handle this info in different ways. Try a different bass RT or regenerate Bass until you find one closer to your liking.
There may also be other options in the new utility tracks to "change" notes...not quite sure about that myself yet. Regardless, the rhythm of the bass will be what was recorded for that bass-line with whatever variations that includes.
Beyond that, MIDI is the option when you want complete control over all aspects.
Since you want more movement from the bass (not just main notes), there are some alternatives. A bit more work, but certainly do-able...
One way would be to begin by creating your BIAB file (SGU) with your chosen chord (Bb for example) as the only chord in the verse and your other chord in the chorus (Ex. Eb) and generate the bass track and FREEZE it. Then, continue to input the rest of your chords for the song for your other instruments to play.
The other way would be to make a separate SGU - with those two chords (if you did not want to start over to do the Freeze thing). Again, just use your 2 Bass notes and export the audio. You can then import that into you other BIAB file as an audio track. I believe that if you name it properly (I do not know what that name IS, but others can probably tell you - Charlie Fogle or Noel Adams would likely know), and put it in the same folder as you full SGU, it will automatically load it to the Bass track...
Programming it with a slash chord works, but it becomes pretty monotonous because the bass doesn't change the rhythm any. It just plods along playing a note every beat. I was looking more for a way to make it stay on the one note but vary the octave and add syncopation, the way it would do naturally if I just let it do its own thing with the chords.
If you can play a bit of the keyboard, it's super easy to play the bass on it into a midi track. Since it IS Band in A Box, and since it is MIDI, you can even change the tempo to a slower BPM to play and record comfortably and then back to normal tempo for playback. A mouse can drag the wrong notes in edit mode. Move it to a DAW when you like the track and insert the synth and sample of your choice.
That's how I would do it if I wanted something other than what the RT's would yield.
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Thanks for all the input. I did eventually manage to get quite a decent bass track with the slash chord method, but it caused some weird sounds from the guitar track because that also is generating slash chords with the Eb and Bb bass. I think I'll have to explore making a specific midi track for the bassline, although I might try Floyd's suggestion of freezing a bass track generated on its own.
The tune is still starting to sound pretty cool though! :-)
Can anyone point me to a youtube video that explores the topic of making midi tracks for BIAB? I've used BIAB quite a bit from the laptop keyboard to generate backing tracks but I know nothing yet about inputting into BIAB from my electronic keyboard. I'm on a steep learning curve here!
Equipment: Yamaha 5'6" grand piano. BIAB for Macintosh 2017 --> 2020. MacBook Pro. Focusrite 2i2, Yamaha YC 88 keyboard
"Why do I have to go to school, Grandad? If I watch YouTube I'll know everything!" - Grandson #3
<< I did eventually manage to get quite a decent bass track with the slash chord method, but it caused some weird sounds from the guitar track because that also is generating slash chords with the Eb and Bb bass. >>
To avoid these anomalies on other tracks in the future, Create your chord chart normally, generate the chord chart and freeze all the tracks except the Bass. Then edit the chord chart to contain the slash chords and generate the Bass track. The other tracks will not generate and the bass will follow the slash chords.
generate the chord chart and freeze all the tracks except the Bass. Then edit the chord chart to contain the slash chords and generate the Bass track.
Yes! Thank you. I'll go back and do that.
Is it possible to use the notation chart to enter a "melody" on the bass track? Then I could make a transcript of the bass line from the original recording on Coltrane's Giant Steps album. Is that feasible?
Equipment: Yamaha 5'6" grand piano. BIAB for Macintosh 2017 --> 2020. MacBook Pro. Focusrite 2i2, Yamaha YC 88 keyboard
"Why do I have to go to school, Grandad? If I watch YouTube I'll know everything!" - Grandson #3
............... Is it possible to use the notation chart to enter a "melody" on the bass track? Then I could make a transcript of the bass line from the original recording on Coltrane's Giant Steps album. Is that feasible?
With MIDI yes. With Realtracks no.
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64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
I think that has always been the case. Not sure why. It's not that it won't play it, it won't allow you to enter it.
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
I needed to take a second look also. I agree with Matt's interpretation. That's how I thought about it any way. Interestingly, what I found was that you cannot use the Slash root for the same key. Not sure why, but it won't allow you to enter it, regardless of the key signature. I tried a few different tests.
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
Interestingly, the Chord Builder will allow the slash chord to be entered, and it plays it (in the builder), but it doesn't allow it to be passed on to the chord sheet.
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
Hi Jeff Frankly, I really don't know way it's not possible to force (encourage?) the bass the play the same note as the chord root. I've never tried it before and was just as surprised when it didn't deliver the expectation.
I think we've stumbled onto something...
There is an option in Song Settings: "Ignore Slash Root of Slash Chords (eg C/E), except Bass Track" If this is set, the RealTracks other than the Bass track will not play the slash root of chords. For example, the RealTracks will play C instead of C/E.
But when set that didn't appear to work for me, anyway. I still could not enter a slash chord with the same key in the chord sheet (e.g. F/F).
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
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20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
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