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And the thing about help files guys is this. There are things to ask that need to be asked of a person, not a text file. Example?

Writing a song that I want a B3 solo at measure 110 that will last 16 bars. I went to "soloist". Then "custom". Start solo at 110. Solo is to run 16 bars. Do not allow one extra bar. Overwrite previous solo. On the right side, select the instrument (and I don't know why we do that and then select again on the left side off the "Real Tracks" menu) and hit "generate solo now." Sometimes it queues up 2 bars before the solo and plays from there. Other times it goes to the head and starts at bar 1. That is inconsistent. Okay, so if it goes to the head, I stop the playback. Hit ctl+F to select the start point for playback. Set it at 108, 2 bar running start before the solo I just designated to start at 110.

And here we go.

No matter WHAT B3 patch I select from the Real Tracks menu on the left side of the screen, it WILL NOT create a solo. It puts B3 there, but it is just chord pads. I want to hear Dan Federici or Booker T play solo notes, not chord pads. I tried 20 different B3 options, telling it to overwrite every time, and never got a solo. All I got over and over, 20 times, was B3 playing chord pads.

So looking at the list of Real Tracks, all those B3 choices have "rhythm" in the description. Does that mean it is SUPPOSED to just be chord pads because the patch is called "rhythm"? If that is the case, logic says that there should then also be some patches that are named with "lead" or "solo" in them.

And that is NOT the kind of thing that I can find in the help files. It tells me HOW to select those patches, not what the cryptic names of them mean, what the name describes.

Thus my earlier request for "simple mode". No matter how much I love music, I simply don't have hours in my days to sit there and go through thousands of Real Tracks to try and decide what the cryptic names mean. To play around some with that solo section, I then started picking guitar parts. I tried several "Brent Mason" parts, maybe 8. All of them were SO DRAMATICALLY DIFFERENT from each other (and none of them worked in this song) and nothing in the name of the selection gave any indication of what I could expect.

Simple mode.

"Click here to generate B3 solo."
"Click here to generate slide guitar solo."
"Click here to generate pedal guitar solo."
"Click here to generate distorted guitar solo."
"Click here to generate folk guitar solo."

Rather than "Brent Mason low country rhythm strumming blues southern rock." (I made that up. Don't look for it.) Unless everybody has the same idea of what "low country strumming blues southern rock" means, I don't know what that is supposed to be, and by the time I go through thousands of these and test every one, the song is gone.

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Just checked the style picker and there are no B3 soloists. The soloist instruments are marked soloist. All the organ patches are marked rhythm. Later, Ray


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Thank you Ray. See, when I see that word rhythm in a style, I see it as meaning either "This is a rhythm instrument" or "This is the type of rhythm pattern this style will play best with."

The top section of the style picker throws me. The different 1/8th and 1/16th choices are obviously there for a reason, but you have to pick one or the other. I may want neither...

I know nothing is ever going to be everything to everybody. There are just some things I see as less than the most effective way to do things. Less can be more. Giving me 100 solos to pick from and 97 of them are really bad.... I'd rather have only 10 good ones.

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Do you have Icons only checked in opt/pref/display ? Try Icons and text first box on top. It's always hard in the beginning on any software . When I first started in 2004 I had never used the interweb but would have if I had known about these forums . I loved using computers so much for recording it never crossed my mind to even check it out . I started out on cool edit ver 1.2 in 1999 and if I ever get over my fear of rejection I'll upload my first song ever comp'ed (it blew chunks).

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Quote:

I'm new to this forum, and only a few months into BiaB, but this seems like a mostly friendly group, so I'll throw this out. I am benefiting immensely from BiaB's ability to comp my practices and to add color to songs where I can't do it myself. The internal algorithms are advanced and creative, and the program's engine is to be commended. HOWEVER.....BiaB appears to be Ford Focus frame on a Ferrari engine. (Sorry for being blunt, but that's exactly the metaphor that comes to mind when I load the program. I'm not trying to offend.)

Leaving aside the time warp to the early 90s that the UX offers, there are just too many usability quirks and inconsistencies with mainstream user interface standards. Example: everytime I want to save a file, I have to scan the (24!) options under the File menu to find Save. (Comes after Karaoke options - really?) Cutting and pasting usually leads to unanticipated results. The list could go on and on. And yes, I know there are shortcuts and key equivalents for all of these to be learned, but as a 21st century software user, I have an expectation that the program should be 85% usable out of the box w/o instructions. BiaB gets about a 40% score based on my exerience.

While I'm satisfied with what the program accomplishes, I'm dissastified with the amount of work I have to do. I can't in all good conscience recccomend BiaB to a prospective buyer either. It's simply too hard to use. Frankly, I use the program b/c it's effective, but I heave a sigh of resignation when I click the icon (and hold my breath that it doesn't crash while generating Realtracks.)

At some point, PG will have to bite the bullet and do a complete remake of the look and feel, and I vote sooner rather than later. Otherwise, fans will leave and new customers will be hard to acquire. Believe me, I know how hard this is - I've been in the technology industry for some time. Long-term loyal users will rightly howl that they need to change habits, customer support costs will skyrocket for a while, developers will be diverted from new features to usabilty designing, etc. Been there. But I also know it has to be done.

FWIW, here at a minimum is what I would change, and I invite others to chime in:

-Contextual icons: over 1/3 of my screen space is occupied by buttons, most of which I rarely use. I just counted 76 button icons, not including the instrument and playback options. BiaB should know what I'm doing and present me with only options that are relevant to the task at hand. (Yes, the icons can be hidden, but that's not the point; it's about enhancing workflow at each step of the process). One possibility is the use of tabs - this has become common in many programs, and almost all browsers, so there will be a less steep learning curve.


-The instrument selection radio icons continue to baffle: I can click Strings and yet add a MIDI generated percussion instrument, or a Banjo realtrack, and the option still says "Strings." This is an area where a more traditional DAW approach may be in order, with tracks lanes, and more easily customizable track names.


-Use wizards instead of menu dialogs. The buttons on most dialog boxes are dense, and often lack logical flow. Example, the notation dialog box. Formatting options are presented alongside transposing options, sandwiched in between guitar chord options. Takes a lot of reorienting myself with every dialog box that is open. This is one area where consitency is paramount. Give me tabs with my options, and let me find only what I need, and make the tabs the same across every dialog box.


-There must be a reason why BiaB doesn't write to the Windows registry, but I don't know what it is. This makes BiaB not play well with my system and I suspect is the reason for a lot of instability and frequent crashes. I'd suggest reevaluting this policy.

-General lack of graphic enhancement. In this era, people expect the graphics to be engaging, intuitive, exciting and useful. I can't say this about BiaB's UX presentation layer.


Don't get me wrong, I admire the program and would like to see it stay around. However, I fear that over time it will fade into the night along with its loyal long term users. A newer generation of users will be put off by an archaic interface, and find something else. I think that would be a shame. That is the intent of this posting and I hope it is taken in that light.




yeah there is a definite ye olde ART DECO look about BIAB

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Originally Posted By: masondr
...HOWEVER.....BiaB appears to be Ford Focus frame on a Ferrari engine. (Sorry for being blunt, but that's exactly the metaphor that comes to mind when I load the program. I'm not trying to offend.)

Leaving aside the time warp to the early 90s that the UX offers,..


Don't get me wrong, I admire the program and would like to see it stay around. However, I fear that over time it will fade into the night along with its loyal long term users. A newer generation of users will be put off by an archaic interface, and find something else. I think that would be a shame. That is the intent of this posting and I hope it is taken in that light.


131540 views !!
That was the one and only post made by the user.
Lots of changes have happened since sure.
It's the same thing I found and basically that's why I stick around nagging all the time with suggestion and ideas, because of the end result of Biab, but as stated getting there is the issue.
What else can you do but 'just keep nagging' smile

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Band-in-a-Box 2025 French Version is Here!

Bonjour à tous,

Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music

Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:

BIAB 2025 - francisation
RealBand 2025 - francisation

Voilà, enjoy!

Band-in-a-Box 2025 German Version is Here!

Band-in-a-Box 2025 für Windows Deutsch ist verfügbar!

Die deutsche Version Band-in-a-Box® 2025 für Windows ist ab sofort verfügbar!

Alle die bereits die englische Version von Band-in-a-Box und RealBand 2024 installiert haben, finden hier die Installationsdateien für das Sprachenupdate:

https://nn.pgmusic.com/pgfiles/languagesupport/deutsch2025.exe
https://nn.pgmusic.com/pgfiles/languagesupport/deutsch2025RB.exe

Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!

Already using Band-in-a-Box 2025 for Windows®? Download Build 1128 now from our Support Page to enjoy the latest enhancements and improvements from our team.

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PowerTracks Pro Audio 2025 for Windows is Here!

PowerTracks Pro Audio 2025 is here! This new version introduces many features, including VST3 support, the ability to load or import a .FLAC file, a reset option for track height in the Tracks window, a taller Timeline on the Notation window toolbar, new freeze buttons in the Tracks window, three toolbar modes (two rows, single row, and none), the improved Select Patch dialog with text-based search and numeric patch display, a new button in the DirectX/VST window to copy an effects group, and more!

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Video: Summary of the New Band-in-a-Box® App for iOS®

Join Tobin as he takes you on a tour of the new Band-in-a-Box® app for iOS®! Designed for musicians, singer-songwriters, and educators, this powerful tool lets you create, play, and transfer songs effortlessly on your iPhone® or iPad®—anytime, anywhere.

Band-in-a-Box® for iOS® :Summary video.

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