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Band-in-a-Box for Windows
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Joined: Feb 2010
Posts: 211
Apprentice
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OP
Apprentice
Joined: Feb 2010
Posts: 211 |
First, I'm not bashing anyone here. I've gotten a lot of very good information from this forum and in fact, were it not for this forum I'd have quit using BIAB long ago. So, please don't take the following clarification as finger-pointing or complaining. I just thought that this information was important enough that all users should come to understand that apparently, according to PG Music, this certain feature doesn't exist in BIAB although several users here believed that it did (or misinterpreted the questions being posted).
I wish to clarify a question that I've had recently along with the solutions that users thought would be the answer to the problem I was describing. Since over the course of several days (or maybe even weeks), none of the suggestions was working, I contacted support at PG. Note that at one point or another, I would test the suggested methods posted here in the forum and sometimes these suggestions seemed like they would work -- in the end though, the suggestion would not perform as intended although initially it might have seemed like it was going to work.
A few different times I've posted here in the forum about BIAB not being able to take a selected range of measures and change them up or down an octave all at one time (without changing the key). Simply put, I got tired of manually changing each note, one at a time in editable notation mode -- I'm a comeback trumpet player of 30+ years and I can't hit double C's or even a comfortable-A right now. To remedy this so I could play the songs, I would have to go into editable notation mode and then, one note at a time, change the offending highs to something more suitable for me. Problem is, I didn't intend to change the entire song, just the measures where the notes were too high. I also didn't want to change key since the problem would still exist at the low end instead of the high. So, it occurred to me at the time that there must be a feature to do this and thus, this has been the source of my involvement with this problem. Now often I would receive suggestions that the program could in fact perform this. It appears according to PG Music however, that Band In A Box CANNOT do this but RealBand CAN. The only problem with doing it this way is that once the pitch has been changed in RealBand, the song can no longer be used in BIAB!
As for my posts here in the forum, each time I posted about it I would get a suggested solution which would almost always included wording like, "... transpose ...". Finally, when things were still not working for me, I again posted my problem only this time rephrasing the question so hopefully I would be making sure that everyone understood that I did not want to change the key of the song -- only the tone of it. And obviously, I did not want to use the Edit + Transpose feature in BIAB because that would mean changing the key and this was unacceptable.
So, this week I sent off an email to PG Music support describing the problem. Here is what they said:
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Hello Russell,
I'm sorry but I wasn't able to find a way to do what you're trying to do in Band in a Box- the transposition changes affect the entire song, and you're right in that the transpose will not work for just a few bars. However, it's pretty easy to do this in RealBand (open the Band in a Box song in RealBand, select a region of the MIDI Track, and Edit > Pitch Transpose MIDI Music) ; the only problem is that once you make the transposition in RealBand you can only use it in RealBand.
Sorry that there isn't a direct solution in Band in a Box. If you need any additional support to get this going in RealBand please let us know.
Thank you, Will PG Music Inc.
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I hope this clarifies things for everyone about this subject. I intend on adding this pitch change feature in BIAB to the wishlist and after I've tried PG's suggestion in RB, I'll update my findings here.
Thanks sincerely, for all who took the time to research it and reply to my question.
Last edited by ikeinblackriver; 05/26/10 01:28 AM.
Ike
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With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
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Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
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- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
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- Instrumental Studies 25 - Soul Jazz Guitar Soloing
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