|
Log in to post
|
Print Thread |
|
|
|
|
|
Off-Topic
|
Joined: Jul 2000
Posts: 6,481
Veteran
|
OP
Veteran
Joined: Jul 2000
Posts: 6,481 |
I don't do TV, or streaming, or most anything that requires a monthly subscription. Why? Self-employed musician, there are times of feast and times of famine. I was out of work 2 years thanks to COVID, and never had to hit my savings to pay the bills.
So I went to my public library, and checked out the 3 disc DVD set of the Beatles' documentary, “Get Back”.
For me and Mrs. Notes, the first two disks were a waste. They guys are in the movie studio with no sense of direction. Not rehearsing, not even practicing, and when they are playing, sounding quite lame.
I hit >> and >>| controls quite a bit. I'm sure I missed some gems of information, but the boredom was not worth it.
I did notice a few things.
* Ringo was the pro, always showed up on time, when the other musicians were working out chords or whatever, Ringo sat patiently at the drum set, waiting. Many drummers I know start tuning heads, practicing licks or fidgeting on the drums in other ways when the rest of the band works on notes. I have a newfound respect for Ringo.
* I noticed Paul gets around on the piano pretty well, and has some very good musical ideas.
* Billy Preston is a gem, but then I've always like his piano playing.
* Children, wives, and significant others should not have been allowed in.
* Somebody needed to take leadership and focus the group, as they were unable to focus on the task, and neither John nor Paul wanted to let the other one lead.
* They expressed nervousness about playing in front of an audience. They could have fallen flat on their faces and the fans would have swooned.
We watched the last disc in its entirety, and this is what hit me the most.
When they were on the rooftop, playing live, they were not only a band again, but you could see the joy you can only get from live performance on their faces, especially Paul's. They were in their bliss.
I know that much of what they recorded from Strawberry Fields on could not be reproduced live, but I think they should have continued to play live to keep the band spirit alive.
That's my take, anyway.
Insights and incites by Notes ♫
Bob "Notes" Norton  Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Aug 2011
Posts: 11,004
Veteran
|
|
Veteran
Joined: Aug 2011
Posts: 11,004 |
Bob, some fun facts you may have missed:
Throughout Disc 1 & 2 Paul did try to take control ... many times. In fact Paul's attempts became so grating George took a hike.
It was VERY obvious John or Paul thought little of George's or Ringo's songwriting.
John and Paul interacted with each other most of the time but neither hung out very much with George or Ringo.
Paul is a pretty good drummer too.
The eight track recorder was George's personal recorder from home.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2009
Posts: 10,767
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 10,767 |
I haven't seen it yet.... I don't have Disney+ and don't want it and we don't have a DVD player anymore.
So maybe I'll have to wait a bit longer.....
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
|
eddie1261
Unregistered
|
|
eddie1261
Unregistered
|
We don't have a DVD player anymore. Bu you have that VCR, right? For the Ren & Stimpy reruns?
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2009
Posts: 10,767
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 10,767 |
We don't have a DVD player anymore. Bu you have that VCR, right? For the Ren & Stimpy reruns? I have the tapes.... but I think the VCR is out in my shop. Ever since we moved to the farm 6 years ago we've not been too interested in watching DVDs and tapes.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Dec 2013
Posts: 2,732
Veteran
|
|
Veteran
Joined: Dec 2013
Posts: 2,732 |
Bob, some fun facts you may have missed....... Dead on Jim. My observations exactly.
 Steve BIAB/RB 2022, Pro Tools 2020, Korg N5, JBL LSR 4328 Powered Monitors, AKG/Shure Mics.
PC: Win11 PRO, 4 TB M2 SSD, 2 TB HD, 128 GB Memory
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jul 2000
Posts: 6,481
Veteran
|
|
OP
Veteran
Joined: Jul 2000
Posts: 6,481 |
Bob, some fun facts you may have missed:
Throughout Disc 1 & 2 Paul did try to take control ... many times. In fact Paul's attempts became so grating George took a hike.
It was VERY obvious John or Paul thought little of George's or Ringo's songwriting.
John and Paul interacted with each other most of the time but neither hung out very much with George or Ringo.
Paul is a pretty good drummer too.
The eight track recorder was George's personal recorder from home. Thanks. I knew about the 8 track and guessed about the power struggle. I still have a DVD player, so I called the public library. It was a little wait, but when they got it in, Mrs. Notes drove down and checked it out, while I was working on the backing track. It was for Rhiannon, a song a regular audience member just asked for. The track turned out well. I bought the sheet music, and that makes the job go quicker. Transcribing by ear takes a lot of time. Sorry to drive off on the tangent.  I like George's songs, not all of them, but the gems are very good. I suppose that may have been part of the power struggle too. The reason I got bored with it is I've been in bickering bands where there is a clash of ideas, and nobody wants to give in to the other's. Ringo's songwriting? I don't particularly love or hate it. They are to me mediocre songs that George Martin saved. I've followed the Beatles from the start, since I was in cover bands that had to play their songs (and loved to as well). The Abbey Road Medley is to me their best. The arrangement is superb, the performances good, and Paul's bass playing at times borders on genius. For some time I thought it was a studio bass player. It seemed too quick of a progression from the country bass of the early songs to the Jameson influenced bass later and on to this level of playing. He had more talent than I gave him credit for (my apologies, Paul).  The Let It Be album, showed me just how important George Martin was, and how he was indeed the 5th Beatle (6th if you insist that Billy Preston was 5th). It's not bad by any stretch of the imagination, but not stellar like Revolver, Rubber Soul, Abbey Road, Pepper, or Magical Mystery. Half the white album is good, and half boring. If they edited out half the cuts, it would have made a good single disk album. Of course, that's my opinion, and if anyone disagrees, their view is as valid as mine. But when I saw them performing in the Rooftop concert, I saw the spark in them that most good bands have when playing live to an audience and that was worth the price (although from the library it was free). I haven't watched TV since the 1990s. I have no streaming services, but I do have a one-disc-at-a-time that comes in the mailbox from Netflix. They wanted to ship one disc at a time, to it would have taken almost a month to see that, thus the library. When a movie goes in the player, it's the absolute only time the TV gets turned on. OK, I'm weird, but I'm OK with that. Notes ♫
Bob "Notes" Norton Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
|
eddie1261
Unregistered
|
|
eddie1261
Unregistered
|
Watched, and loved, every second (except when Yoko was shrieking into the mic) of it. I call that the "Lucy Ricardo Syndrome". Women adjacent to the business because their husbands are in it that madly want to be part of it but have no talent.
I loved all the bickering because I believe that the only boat that doesn't rock is one that is standing still. From all the controversy, members quitting, the initial disagreement on the end goal, when the light went on (or the bell went off, choose your metaphor) they delivered. That's what pros do.
That being said, they ran the band in a way I would not have been able to endure. The power struggles and the "us vs them" of McLennon vs Harristarr would have pushed me out early on.
It's also to remember the perspective angle of them being The Beatles and 99% of us being nobodies. For all the war stories, nobody here was even close to what they were/are. Counting Preston and Sir George, 4 of the 6 major players are dead, and their legacy is still gaining momentum. That will never happen again. The bet band in the country that schleps their own gear and have never written a song or sold a record (Nobody buys a record with 12 cover songs on it) just has no place in the conversation with them. As good a any of us want to think we are, none of us made it. Gigging around your town and traveling with 2 Econoline vans is not "making it". It's making a living, yes, but it's not making it. But I have said all this before. I never made it to the point where my multi million dollar tour bus took me to the Enormodome where the crew has all my band' gear set up and waiting. Or spending 10 hours a day in the studio writing songs instead of working to pay the rent. The mansion where I'd live is long paid for and I keep making mailbox money. That's just the reality of the difference of making it big and survival.
So I loved every bit of seeing the creative process. They were the absolute best to ever do it. Their work after they quit touring was exquisite and simply perfection. Sir George was a large part of it.
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
PowerTracks Pro 2026 for Windows is Here!
PowerTracks 2026 is here—bringing powerful new enhancements designed to make your production workflow faster, smoother, and more intuitive than ever.
The enhanced Mixer now shows Track Type and Instrument icons for instant track recognition, while a new grid option simplifies editing views. Non-floating windows adopt a modern title bar style, replacing the legacy blue bar.
The Master Volume is now applied at the end of the audio chain for consistent levels and full-signal master effects.
Tablature now includes a “Save bends when saving XML” option for improved compatibility with PG Music tools. Plus, you can instantly match all track heights with a simple Ctrl-release after resizing, and Add2 chords from MGU/SGU files are now fully supported... and more!
Get started today—first-time packages start at just $49.
Already using PowerTracks Pro Audio? Upgrade for as little as $29 and enjoy the latest improvements!
Order now!
Band-in-a-Box 2026 for Windows Special Offers End Tomorrow (January 15th, 2026) at 11:59 PM PST!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Windows® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PST on Thursday, January 15, 2026!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Windows®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the new AI-Notes feature, which can transcribe polyphonic audio into MIDI. You can view the results in notation or play them back as MIDI, and choose whether to process an entire track or focus on specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Windows®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Upgrade your Band-in-a-Box for Windows to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 for Windows® Special Offers Extended Until January 15, 2026!
Good news! You still have time to upgrade to the latest version of Band-in-a-Box® for Windows® and save. Our Band-in-a-Box® 2026 for Windows® special now runs through January 15, 2025!
We've packed Band-in-a-Box® 2026 with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can process an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Windows®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PST on January 15th, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Upgrade to Band-in-a-Box® 2026 for Windows® today! Check out the Band-in-a-Box® packages page for all the purchase options available.
Happy New Year!
Thank you for being part of the Band-in-a-Box® community.
Wishing you and yours a very happy 2026—Happy New Year from all of us at PG Music!
Season's Greetings!
Wishing everyone a happy, healthy holiday season—thanks for being part of our community!
The office will be closed for Christmas Day, but we will be back on Boxing Day (Dec 26th) at 6:00am PST.
Team PG
Band-in-a-Box 2026 Video: The Newly Designed Piano Roll Window
In this video, we explore the updated Piano Roll, complete with a modernized look and exciting new features. You’ll see new filtering options that make it easy to focus on specific note groups, smoother and more intuitive note entry and editing, and enhanced options for zooming, looping, and more.
Watch the video.
You can see all the 2026 videos on our forum!
Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
Watch the video.
You can see all the 2026 videos on our forum!
|
|
|
|
|
|
|
|
|
|
|
|
Forums57
Topics85,953
Posts798,161
Members39,992
| |
Most Online25,754
Jan 24th, 2025
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean