Thanks. I understand your point and appreciate it. I guess I was thinking of the task of ascending and descending diatonic and chromatic basslines, which certainly does not maintain a pedal bass. Of course non-diatonic notes from secondary dominants and other secondarys, e.g., V/IV, V/vi, etc., are very useful in basslines and modal excursions and quite common in pop music.


Help! I've fallen up and can't get down!