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Recording, Mixing, Performance and Production
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Hi. I'm no expert at audio rendering, so I hope some of you will be able to help me out. I'm creating a music mix for YouTube, and I've acquired all the songs for the mix in FLAC quality. Unfortunately, for three of the songs, I could only get my hands on 96 khz versions, whereas all the other songs are 44 khz.

Normally I would assume that in this case, it's best to render it as 44.1 khz to preserve the highest quality for the majority of the songs. However, I found out that YouTube's OPUS codec resamples everything to 48 khz regardless. In that case I should render it with 48 khz so that the 96 khz songs don't go through lossy resampling twice (first to 44.1 khz and then to 48 khz.)

My encoder will be just as good at upsampling to 48 khz as YouTube is with OPUS, right? If not better. But the output meter in Vegas shows me that when I change the project setting to 48 khz, most of the 44.1 khz songs are apparently too loud? The output meter goes in the red as if I need to reduce the gain on all the 44.1 khz songs, which means I'd also have to reduce the gain on the 96 khz songs to keep their sound volume in line with the other songs. The automatic sound normalization doesn't seem to do it.



How am I supposed to do this properly? What would be the best course of action to get the highest sound quality out of what I've got?



I render with VEGAS Pro 20.0 using the HEVC/AAC NVENC encoder option.

Recording, Mixing, Performance and Production
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Welcome to the forums.

It can't hurt to match up the sampling rate with what they require but your volume level is more important.

See this previous post on these very forums.

Your Loudness Penalty




Steve

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Quote:
found out that YouTube's OPUS codec resamples everything to 48 khz regardless


Yep. 48kHz audio has been the standard for AV over 30 years now. The only reasons for 44.1 anymore are a) compatibility for old stand-alone recorders that can’t do anything else or b) mastering for CDs. I do both but downsample as needed.

There are some AV clients that require me to deliver 96kHz but I always know that before I start a project. Otherwise, I work in 48k only.


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