Yes, this is a variation of what I was saying.

But I recall that someone contributed to the article I wrote about ‘When BIAB doesn’t play the chords you write’, that ‘wrong’ notes are more likely to sound in a chord when the key signature is wrong.

Interestingly, there is a trend emerging among composers of modern orchestral scores, and complex big band jazz charts, to just write everything in the key of C. I wouldn’t do it, in part because I develop material in BIAB, but if you want to change key signatures every few bars to reduce accidentals, that in itself becomes hard to read.


BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.