hey "Audiotrack" thanks for listening.
Does your criticism mean that you were able to achieve better results with the melodist?
It is well considered that the examples are pure selections and not further editing of the melody parts by a human being.
This means that only the melodist worked here and what went best was spared from regeneration.
A comparison to human-written melodies may not be relevant (maybe not yet)
I'm looking for tips and tricks to improve the results. Preferably something you can hear, of course.