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Hi, Dan !
I liked your tune
and the message was
clear as the blue sky !
Cheers
Dani
Last edited by dani48; 05/02/23 07:01 AM.
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For those who have been keeping up, the process continues. 5 days ago we had an executive meeting with the producers, sound engineer, song writer and composer, as well as the singer and all musicians. It was an absolute blood bath which left much of the song on the cutting room floor. But a plan was decided upon. We would salvage all we could and rebuild from the ground up. A detailed punch list of items to fix was agreed upon and it was back to the studio. Pitch corrections:• 1:00 "our" sounds like it's being pitched corrected into two different notes, when it should be a single note. - This is an artifact I can’t fix in Melodyn. I need to go back and substitute another take for this very small part. It took literally days to fix this 1 second glitch in my vocal. None of the prior takes could be used since. I simply was not able to swap a good one in since they just don’t match the tone of the current version. I may have inadvertently mixed down a track with FX on it at some point and now can’t reproduce it. I know not to do this, but I still mess up at times. I re-sang this and concluded an 80% improvement in the elimination of the gltch. • 1:32 "the" sounds off. Perhaps use the prior pitch instead of going down? - This could go either way, so I left as is. • 1:42 "leave" sounds flat, should be a higher note. - < Damn, good ears. I see this and hear it now and have fixed it. • 2:24 "have" sounds flat, should be a higher note < Wow, right again. I have fixed it. Intro Melody with Vibraphone.• “… the notes on the vibraphone at the start (0:06) and the end (0:24) are too far after the beat. • Yes notes are generally way behind the beat but still fall on an interval of the beat. I interpret this to mean it is still musical but very loose and free. I suspect the problem is that when I sing this melody I am more straight in time with the primary beat. This could have accounted for why I stopped playing the melody once my vocals start. • However, with the drum playing a steady tick and the vibraphone missing the beat, it sounds like sloppy playing. • I tried reworking the midi melody from the Vibraphone but was not able to get any thing I liked more than I got. So I remove the drums during this intro 8 bars and have the drums now coming in only after the melody. So hopefully the clash is less noticeable. • I attribute this problem to trying to use the BB midi melodist directly (copy and paste) instead of replaying it. If fact the BB melody was actually the inspiration for the actual melody I sang, and not the note for note and same timing. Simplify the Arrangement.• It's best to have less in the first place. There are some things that people just won't hear, or aren't important - To simplify the arrangement, I separated the piano and guitar so they were not playing at the same time. • The percussion at the end is unnecessary - Since it is such a very short ending. I decided to leave the crash as is. SummaryFact is, it has been a painful process. The amount of time and effort to get this to the current level greatly surprised me. Don’t get me wrong, the improvement is significant to my ears. But it was getting painful near the end. Not sure I have the love for the song I had weeks ago when I started the process. But I did learn a lot which will be helpful going forward. Time to put this to rest. "No song is ever really done, we just run out of time or give up and stop working on it." None of Us Are Getting Out Alive - 050523
BIAB – 2025, Reaper (current), i7-12700F Processor, 32GB DDR4-3200MHz RAM, Motu Audio Express 6x6 - My SoundCloud (Tip: No need to create a SC account to hear music - just hit ESC ).
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Much improved! Bringing the vocals to the front as well as adding harmonies makes a big difference.  You might want to update the title of the thread so people know that the song's been changed. Otherwise, people aren't going to know it deserves another listen. Also, edit the first post to link to include the updated version, or replace the old version with the new link.
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Yes, much, much, better. The harmonies give the song more dimension. It was worth all the effort you put into it.
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Neither SC link worked for us???
J&B
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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Neither SC link worked for us???
J&B Sorry guys, prior versions have been removed and only the final link is active None of us are getting out alive
BIAB – 2025, Reaper (current), i7-12700F Processor, 32GB DDR4-3200MHz RAM, Motu Audio Express 6x6 - My SoundCloud (Tip: No need to create a SC account to hear music - just hit ESC ).
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“So make the most of every friend that you make
Love with all your heart, give more than you take.
Cherish the moments, every day your alive.
None of us are getting out alive"
That alone is worth the price of admission.
Fine write, vocals, arrangement and mix.
Kudos!
J&B
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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HI Dan ...
I've not heard any of the previous iterations of your song. But this version sounds great to me. There's some real truth in those words!
All sounds good to me! Don't have much to offer for improvements. Your vocal is far better than my vocals. And you backing tracks and arrangement all fit very nicely.
Alan
BIAB 2024 Ultra Plus-all StylePaks*Win11*32GB DDR5*Rhyzen 9745x*AT 2035 Mic*Peavey Nashville 112 Amp*Ibanez ART120* Acoustic/Electric/Washburn D200S Acoustic*Stromberg Monterey Jazz Guitar Loops: https://aldavidmusic.wixsite.com/bestmusicloops
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
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Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
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