Originally Posted By: MusicStudent

I listened to this tune. I hear a nice Dm progression with a i - iv - v mix. Well suited to play a minor pentatonic scale to construct the melody to play over. However, as we all know this is a limited vocabulary combined with limited chords, which constrains the song from expanding to much other than a blues jam. Your bass is targeting the D which emphaises the Aeolian mode (good start), however, for more non-blues modern feel, try targeting the G to hear that Dorain feel (Dorian will add years to this classic vibe - thats what the text books tell us...). You will also need to expand the progression beyound the i, iv and v chords to create a bridge which will pull you out of the pentatonic scale and permit the melody to bloom and the song to tell a story.

Hmmm, interesting and well thought-out advanced analysis Dan, thank you for this.

Am I correct in saying that Fragments of a Dream could be improved by Scaler by
1. "Constructing a melody to play over"?
2. Expanding the "limited vocabulary and chords of the song"?
3. Helping to add a "Dorian feel"?
4. Helping to "expand the progression beyound the i, iv and v chords to create a bridge"?
5. Allowing my creativity to flow into the song rather that it writing it for me?

If this song is say a 3 on a scale of 10 and Scaler could help elevate it to say a 5 or 6, and you don't need a PhD in music theory to use it; then Scaler has my attention.


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For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.