The vocal has an odd nasal, vaguely flat sound on some syllables like O'Riordan from the Cranberries.
Imagine having to say that a synth voice is sibilant - but it is a bit.
Musically this builds as it goes along but it does seem to reach peak intensity a little early.
I can hear and understand why the bass chugs a lot but it does it quite a bit.
The hold at about 2.10 isn't as convincing as the one at 2.02.
Really tidy band arrangement and you've programmed a cool melody, (though the hook gets hammered quite a bit - ear worm in the making I suppose).
I can imagine this working well at Hillsong Sydney.

Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe