Originally Posted By: rayc
Kenny duplicates the bass track for this. I'm inclined to send as I can make timing etc changes to the original and not have to repeat them

Ray, thanks for diving deep with me on this; there's much craft here to learn. I like Kenny, and on my path to finding Studio One I dabbled with Reaper for a few months and watched a bunch of his videos. He's a walking library and Reaper is a strong DAW. If I understand what you are saying, I agree in staying with just a single bass track.

Here is my current signal flow with the exception of the compression and limiting which I'm not currently doing but am learning that maybe I should. I need to read up/experiment on this more to determine exactly where in the chain to insert these, hence the question marks.

[Side Bar: Byron, when I asked you to produce a system block diagram, this format of a diagram is what I had in mind for you to produce to explain your evidence that RealPlayer extracts audio.]

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For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.