Bass guitar 4-string offers fundamentals from 41Hz-392Hz with overtones and harmonics spreading up to 4kHz-5kHz.
Most recordings dilute bass below about 60Hz becasue it's can overwhelm an amp as well as compete with a kick drum. Mind you for the last decade kicks have had the batter head click accentuated, (a hangover from modern "metal"), and the bottom end of it almost obliterated...I REALLY dislike that sound and it is prevalent in BIAB RealDrums.

Pop n rock bass tends to accentuate some of the harmonic/overtone growl to cut through the mix and give solid spatial clues while tightening, (reducing and compressing), the bottom end so that there's still some oomph. John Entwhistle's tone is a good example of a toppier bass in a mix.
I miss the days of live gigs and the thud of bass in my chest when on the "dance" floor.

One thing you might like to experiment with is the JS Spectrum Matcher. It's a Reaper community plug in but will run in other DAWs. You can run it with a bass sound you like and drape it over your recorded track to "correct" it. It works pretty well & I've done it with a couple of my songs but, by & large, I'm pretty happy with my own tone.

Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe