Oh, impressive. This really is packed with WOW factor. There's lots to like about this new gem
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
Audacity® is free, open source software for recording and editing sounds. It is available for macOS, Microsoft Windows, GNU/Linux, and other operating systems. Learn more about Audacity... Also check our Forum for more information.
License: Audacity is free software. You may use it for any personal, commercial or educational purpose, including installing it on as many different computers as you wish. Audacity is licensed under the terms of version 3 of the GNU General Public License (GPL) as published by the Free Software Foundation. The full text of the license is also available when running Audacity, via the Help menu > About Audacity... command > GPL License tab.
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
For my duo's backing tracks (http://s-cats.com) I make the tracks using MIDI, then record into Audacity. I export them as 192 mp3 files, and load them on a ThinkPad laptop to take to the gig.
Why mp3? I started this when 2G was the maximum RAM a computer could access.
I did a blind test with musicians, one who had her ears recently tested as perfect. Then I played them rendered as WAV and mp3 with various bit rates. 192 was the best compromise. The difference in the very high frequencies was barely noticeable, and in the noisy nightclub environment which I gig in, that would not be noticed.
If I had to start all over again, I'd choose WAV files.
I've been using Acon Digital's Acoustica Premium Edition for years, and haven't looked at Audacity for a long time. But...I recently switched from Presonus' Notion (which has been stuck on v6 for a long time, and for a couple of years has failed to connect to its update server) to MuseScore v4. I never realized that MuseScore and Audacity were related. A couple of weeks ago, I uninstalled MuseHub because it irritated me, but I think I'll reinstall it and check out Audacity.
ThinkPad i9 32GB RAM 7TB SSD; Win11 Pro; RME Fireface UCX II; BiaB 2026 Ultra Studio Pro 8; Tonalic Studio 1; Reaper v7; Bitwig Studio 6; Melodyne Studio 5 Gig Performer 5; NI S61 MK3; Focal Shape 65; Beyerdynamic DT 880 & 770
For my duo's backing tracks (http://s-cats.com) I make the tracks using MIDI, then record into Audacity. I export them as 192 mp3 files, and load them on a ThinkPad laptop to take to the gig.
Why mp3? I started this when 2G was the maximum RAM a computer could access.
I did a blind test with musicians, one who had her ears recently tested as perfect. Then I played them rendered as WAV and mp3 with various bit rates. 192 was the best compromise. The difference in the very high frequencies was barely noticeable, and in the noisy nightclub environment which I gig in, that would not be noticed.
If I had to start all over again, I'd choose WAV files.
Insights and incites by Notes ♫
In my tests many years ago, 192 was a pretty good trade-off. I actually rendered everything at 320 because I could hear a slight loss of the very low end between 256 and 320 on the 9 speaker (8 plus a hefty subwoofer) Harmon Kardon stereo in my Nissan truck. I couldn't even hear any difference on my home DAW monitors at the time.
Now, it's .WAV or .FLAC. I have 7 TB of SSD, so I'm less concerned about disk space used. Also, Gig Performer added a Streaming Audio File Player (SAFP) with a recent update, so the whole backing track doesn't need to be loaded into RAM at once.
Last edited by TheMaartian; 11/06/2310:43 PM.
ThinkPad i9 32GB RAM 7TB SSD; Win11 Pro; RME Fireface UCX II; BiaB 2026 Ultra Studio Pro 8; Tonalic Studio 1; Reaper v7; Bitwig Studio 6; Melodyne Studio 5 Gig Performer 5; NI S61 MK3; Focal Shape 65; Beyerdynamic DT 880 & 770
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
<...snip...> Now, it's .WAV or .FLAC. I have 7 TB of SSD, so I'm less concerned about disk space used. <...>
If I had to do it all over again, that's what I'd use.
I can't bring 7TB of SSD in my laptop and bring it to the gig. We have over 650 songs in our playlist, and some of them have been recorded more than once at different tempos or arrangements to make them useful in different circumstances.
I'm thinking about 320, but I don't want the new songs we learn to 'outshine' the old ones. But I suspect the general public wouldn't notice.
I'm using ElectroVoice ZLX15P speakers on the gig, and they reproduce the sound quite well for the gig needs. I also use a BBE Sonic Maximizer which when used properly, brightens the highs without over EQing them, and with the low contour, I can add more bass punch if I need it for a particular gig.
I upgraded to Audacity 3.42 the day it was made available. Been using Audacity since the early 2000s. It's the closest thing I have to a DAW. With these new updates, it covers almost all my editing and mixing needs. Every vocal my wife and I have recorded was accomplished using Audacity with an AT-35 condenser mic. We get pretty danged good sounds with it. If interested, we have a couple of songs on the first page or two of the Showcase forum - you can listen to one or two of them to hear the quality sound we get with it. Not looking for cheap listens or comments - just letting you know they're there for you to evaluate the quality of our efforts, as a reference, using Audacity, should you choose to do so.
I have Cakewalk but don't really really know how to use it - so I don't. Audacity has served me well. And my budget likes the price!
Although it's a bit early, Merry Christmas to everyone. Hope it's the best ever.
With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.
Whether you're exploring new features, checking out the latest RealTracks or Style PAKs, this is your go-to guide for Band-in-a-Box® 2026.
Band-in-a-Box® 2026 for Mac is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 100 new features in this exciting release.
Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
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Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Mac packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49.
Band-in-a-Box® 2025 for Mac® users: Build 904 now available!
If you're already using Band-in-a-Box® 2025 for Mac®, make sure to grab the latest update! Build 904 is now available for download and includes the newest additions and enhancements from our team.
PowerTracks 2026 is here—bringing powerful new enhancements designed to make your production workflow faster, smoother, and more intuitive than ever.
The enhanced Mixer now shows Track Type and Instrument icons for instant track recognition, while a new grid option simplifies editing views. Non-floating windows adopt a modern title bar style, replacing the legacy blue bar.
The Master Volume is now applied at the end of the audio chain for consistent levels and full-signal master effects.
Tablature now includes a “Save bends when saving XML” option for improved compatibility with PG Music tools. Plus, you can instantly match all track heights with a simple Ctrl-release after resizing, and Add2 chords from MGU/SGU files are now fully supported... and more!
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