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DrDan Offline OP
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This program is really a hidden Gem.



Retired to Make Music - No Plan B
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Preview My Current Project .

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Oh, impressive. This really is packed with WOW factor. There's lots to like about this new gem smile


BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
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This is a mandatory update for me!


Life is short so make sure you spend as much time as possible on the Internet arguing with strangers.

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Thanks! I need to update!

...Deb

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Good news. I know a lot of people who use this program.

Since I use another audio editor, may I ask a few questions?

Is Audacity still free?
Does it support non-destructive editing?


BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Audacity is certainly free.

Their licence states:
Quote
Audacity® is free, open source software for recording and editing sounds. It is available for macOS, Microsoft Windows, GNU/Linux, and other operating systems. Learn more about Audacity... Also check our Forum for more information.

License: Audacity is free software. You may use it for any personal, commercial or educational purpose, including installing it on as many different computers as you wish. Audacity is licensed under the terms of version 3 of the GNU General Public License (GPL) as published by the Free Software Foundation. The full text of the license is also available when running Audacity, via the Help menu > About Audacity... command > GPL License tab.


BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
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Oh, forgot to mention. Non-Destructive Editing is definitely included:

Non-Destructive Editing

Last edited by AudioTrack; 11/04/23 11:39 AM.

BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
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Oh, cool. Non-destructive editing will make me take another look at this. Thanks.


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It’s still free and worth every penny. Nice to see that the new features catch up with apps I’ve been using for decades.

No thanks.


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Thanks for sharing the video Dan.


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That's for the post Dan, this looks like a good one!

Jeff


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I like Audacity.

For my duo's backing tracks (http://s-cats.com) I make the tracks using MIDI, then record into Audacity. I export them as 192 mp3 files, and load them on a ThinkPad laptop to take to the gig.

Why mp3? I started this when 2G was the maximum RAM a computer could access.

I did a blind test with musicians, one who had her ears recently tested as perfect. Then I played them rendered as WAV and mp3 with various bit rates. 192 was the best compromise. The difference in the very high frequencies was barely noticeable, and in the noisy nightclub environment which I gig in, that would not be noticed.

If I had to start all over again, I'd choose WAV files.

Insights and incites by Notes ♫


Bob "Notes" Norton smile Norton Music
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100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
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I've been using Acon Digital's Acoustica Premium Edition for years, and haven't looked at Audacity for a long time. But...I recently switched from Presonus' Notion (which has been stuck on v6 for a long time, and for a couple of years has failed to connect to its update server) to MuseScore v4. I never realized that MuseScore and Audacity were related. A couple of weeks ago, I uninstalled MuseHub because it irritated me, but I think I'll reinstall it and check out Audacity.


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Originally Posted by Notes Norton
I like Audacity.

For my duo's backing tracks (http://s-cats.com) I make the tracks using MIDI, then record into Audacity. I export them as 192 mp3 files, and load them on a ThinkPad laptop to take to the gig.

Why mp3? I started this when 2G was the maximum RAM a computer could access.

I did a blind test with musicians, one who had her ears recently tested as perfect. Then I played them rendered as WAV and mp3 with various bit rates. 192 was the best compromise. The difference in the very high frequencies was barely noticeable, and in the noisy nightclub environment which I gig in, that would not be noticed.

If I had to start all over again, I'd choose WAV files.

Insights and incites by Notes ♫
In my tests many years ago, 192 was a pretty good trade-off. I actually rendered everything at 320 because I could hear a slight loss of the very low end between 256 and 320 on the 9 speaker (8 plus a hefty subwoofer) Harmon Kardon stereo in my Nissan truck. I couldn't even hear any difference on my home DAW monitors at the time.

Now, it's .WAV or .FLAC. I have 7 TB of SSD, so I'm less concerned about disk space used. Also, Gig Performer added a Streaming Audio File Player (SAFP) with a recent update, so the whole backing track doesn't need to be loaded into RAM at once.


Last edited by TheMaartian; 11/06/23 10:43 PM.

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Gig Performer sure has some neat features.


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Originally Posted by TheMaartian
<...snip...>
Now, it's .WAV or .FLAC. I have 7 TB of SSD, so I'm less concerned about disk space used. <...>

If I had to do it all over again, that's what I'd use.

I can't bring 7TB of SSD in my laptop and bring it to the gig. We have over 650 songs in our playlist, and some of them have been recorded more than once at different tempos or arrangements to make them useful in different circumstances.

I'm thinking about 320, but I don't want the new songs we learn to 'outshine' the old ones. But I suspect the general public wouldn't notice.

I'm using ElectroVoice ZLX15P speakers on the gig, and they reproduce the sound quite well for the gig needs. I also use a BBE Sonic Maximizer which when used properly, brightens the highs without over EQing them, and with the low contour, I can add more bass punch if I need it for a particular gig.


Insights and incites by Notes ♫


Bob "Notes" Norton smile Norton Music
https://www.nortonmusic.com

100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
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I upgraded to Audacity 3.42 the day it was made available. Been using Audacity since the early 2000s. It's the closest thing I have to a DAW. With these new updates, it covers almost all my editing and mixing needs. Every vocal my wife and I have recorded was accomplished using Audacity with an AT-35 condenser mic. We get pretty danged good sounds with it. If interested, we have a couple of songs on the first page or two of the Showcase forum - you can listen to one or two of them to hear the quality sound we get with it. Not looking for cheap listens or comments - just letting you know they're there for you to evaluate the quality of our efforts, as a reference, using Audacity, should you choose to do so.

I have Cakewalk but don't really really know how to use it - so I don't. Audacity has served me well. And my budget likes the price!

Although it's a bit early, Merry Christmas to everyone. Hope it's the best ever.

Alan & Di

Last edited by Al-David; 11/28/23 01:21 PM.

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PG Music News
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!

Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!

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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!

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202 New RealTracks Released with Band-in-a-Box 2026!

With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!

Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!

Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.

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Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.

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  • MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
  • MIDI SuperTracks Set 46: Piano & Organ
  • Instrumental Studies Set 24: Groovin' Blues Soloing
  • Artist Performance Set 19: Songs with Vocals 9
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  • 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
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  • MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
  • MIDI SuperTracks Set 47: More SynthMaster
  • Instrumental Studies 25 - Soul Jazz Guitar Soloing
  • Artist Performance Set 20: Songs with Vocals 10
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