First of all, as floyd said,
“Great to see you posting again.
The Showcase is not same without you.”
The lyric is very relatable and our kitchen has many quotes posted up of positive thoughts like these sentiments.
Love this:
“Get out there and play, now
It’s a thrilling new day, now
Come on! Rise and shine”
Your vocal, the band and the mix are all a delight to hear.
Like the work you did on RT
4200 (it seems akin to what a doubler fx would create).
Again, here’s to the wonderful sentiment!!
J&B
Hi J&B,
As always, it's a delight to see that you have visited. Thanks for passing through, listening and commenting. My mother was an incredibly positive person. I'm not in her league but her outlook certainly influences the way I see the world

Regarding 4200, the only doubler I've used has been one that comes with Reaper (JS Channel Time Delayer). That one is pretty basic.
As I have no doubt you'll rememember, in the earlier days of BIAB, to get a full sound it was necessary to have a few of those proverbial 'tricks up your sleeve'. While it was possible to render two tracks and pan one full left and the other full right, often within those tracks there would be generated sections that played the same music at the same time. The net result is that the sound suddenly, and uncomfortably, went from stereo to mono. I learnt that while it was possible to copy and paste sections from other areas of the track, it was often easier and more effective simply to move one track either forward or back 10 milliseconds and flatten it 2 or 3 cents. This was enough to stop the mono effect. Fortunately, then PG Music developed the process that if two (or more) Realtracks of the same number were generated simultaneously, the generations were always different and the mono effect was overcome. In this instance, though, rather than have two individual sounding tracks, I was trying for a thickening of sound that was spread across the stereo spectrum. Thankfully it seemed to work

Thank you again for taking the time to drop by.
--Noel