I had some problems with his explanation of the existing system. For example, he didn't seem to understand the significance of clefs when describing where the notes fall on the staff. Or the continuity of pitches spanning the treble and bass clefs.

While I agree there are lots of things one can find fault with, and many conflicting 'rules', the existing system of notation system seems to work well. I've written for symphony orchestra and everything smaller, and people seem to understand what I write with no arguing.


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