Hi, Alan.
Originally Posted by Al-David
I can't begin to imagine the effort required rto put this together - mind boggling! I think you're aware of the Neanderthal method I use - not complicated at all. So, I stand (actually sit) here in total amazement.
Don't confuse me for a Cro-Magnon just because I'm using a different set of tools. If you take the vocals out of the equation, I suspect our methods aren't dissimilar.

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The synth voices sound so real. The timbre and intonation in their vocals lend to a human quality. And that can be revealed only by the talent and precision of the input agent (of course, that would be you).
Thanks!

But... I've got the advantage that I can write to the voices. When I put together a melody, I'm generally inside of SynthV working it out, even if the lyrics as just "la". So I can hear if the voice will sound good singing the line. If not, I'll change the line.

After the melody line is down, I work on the lyric, trying to figure out what all those "la"s are trying to sing, so to speak. So I generally hear the timbre and intonation first, not the other way around. Sometimes that's a brick wall from a songwriting perspective.

And sometimes, I get lucky abd can actually figure out what it's trying to sing.

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Beautiful lyric and mesmerizing melody. The sound is delicate and fragile. Congrats on such a fine production!
Thank you very much! laugh

-- David Cuny
My virtual singer development blog

Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?