Dragonflies

Your head on my shoulder, the sheets on the floor
Remember the days before the storm?
What felt like forever would soon slip away
A love that walked right out the door

And in the end, though we said we'd still be friends
it just wouldn't work the way

   I still see dragonflies in summer skies
   Close your eyes, close your eyes

A little bit older then we were before
I wonder if you might miss those days
The long lazy mornings, our tangled silk nights
How did we ever lose our way?

And in the end, though we said we'd still be friends
it just wouldn't work the way

   I still see dragonflies in summer skies
   Close your eyes, close your eyes

I'll keep on dreaming, though I'll never get one more day with you

   I still see dragonflies in summer skies
   Close your eyes, close your eyes
   I still see dragonflies in summer skies
   Close your eyes, close your eyes

The Technical Stuff
~683:Bass, Electric, PopHalfNotesPush Ev 120
1533:Piano, Acoustic, Rhythm PopPowerPushArp Ev 120
2935:Guitar, Acoustic, Rhythm FolkPulse8thsFintan Ev 110
2719:Guitar, Nylon, Fingerpicking CountryBrent Ev 120
1681:Guitar, 12-String Acoustic, Fingerpicking Ev 120
3707:Guitar, Acoustic, Rhythm 90sAcRockArpPick Ev 120
2452:String Quartet, Rhythm PopSwingHall Sw 110
RealDrums in style:NashvilleEven8^2-a:Sidestick, HiHat , b:Snare, HiHat

Master Buss: Hornet ThirtyOneMk2, Lurssen Mastering Console (Pop)
Lead Vocal: SynthesizerV (Oscar), GregWells VoiceCentric (Natural Vocal), Pana, Abbey Roads Plate (Warm Voice)
Backing Vocal: SynthesizerV (Feng Yi), GregWells VoiceCentric (Backing Vocal), Pana, Abbey Roads Plate (Warm Voice)
Drum: RealTracks, EZMix2 (Room 2)
Bass: RealTracks
Piano: RealTracks, TrackSpacer (vocal), ReaEQ (No Mud), Pana (Piano)
Guitar1: RealTracks, TrackSpacer (vocal), ReaEQ (No Mud), Pana, Abbey Roads Plate (Acoustic Guitar 1)
Guitar2: RealTracks, TrackSpacer (vocal), ReaEQ (No Mud), Pana, Abbey Roads Plate (Acoustic Guitar 1)
Guitar3: RealTracks, TrackSpacer (vocal), ReaEQ (No Mud), Pana, Abbey Roads Plate (Acoustic Guitar 1)
String Quartet: RealTracks, Pana, Abbey Road Plate (Strings 1)

Edit 1: I fixed the glitch with the piano, and some phonemes in the harmony.
Edit 1: Manually balanced the vocal, extended the ending so it's not so abrupt.

Blah Blah Blah
As usual, any comments are appreciated.

I've still got a cold and COVID, so I haven't been feeling much like making music. But I had started feeling better, so figured I should take advantage of the three-day weekend and force myself to do something.

I was thinking about "Looks Like Rain" that Greg Johnson had recently posted, and figured I'd do something sort of James Taylor-ish. The _ASPEN demo had a bit of a Jackson Browne feel, so I went with that but changed the key and chords.

I set the song form and imported it into SynthesizerV to work out the melody. I don't think it sounded much like James Taylor or Jackson Browne, but I went with it anyway. I had recently purchased the Oscar voice, so I used him on the lead vocal.

Fortunately, I didn't have to change the key of the song to fit Oscar's voice. That's actually one of the nice things about using BiaB - if I've got to change the key of the song, it's super-easy... as long as I do it before moving everything into the DAW.

The next day I sat down and forced myself to write something, and got the first couple of lines. I tried to come up with some sort of imagery, but... nope. I'm not even sure there's much of a rhyme scheme, but I used alliteration to make up for that.

At least I snuck a bit of imagery into the chorus. wink

Once the first verse was written, the second verse was a straightforward. That only left the bridge, which I avoided working on by working out the counter-line instead. That's still the most fun part for me, puzzling out an interesting secondary line. Fortunately, synthetic voices are patient in that regard, and more rewarding than MIDI notes.

Once I finished up with that, I worked out some notes for the bridge, put in the first words that came to mind, and called it done.

I probably should have finessed the vocal a bit, but I liked the way it was sung, so I left it "As Is". I may go back later and play with it a bit.

I'd rendered out a whole bunch of instruments in BiaB - fiddle, mandolin, lead guitar - with the intent of putting them in somewhere, but none of them fit. Fortunately, the string quartet fit under the bridge, and then I worked from there to bring various instruments in and out to give some flow to the arrangement.

The drums felt a bit sluggish, so I nudged them forward a bit. I did the same with the guitars so they would hit the beat a bit better.

I had intended to perhaps work out a guitar intro for the song - and I still might - because the piano intro is a bit glitchy. But I figured it was "good enough", and left it in for now. For now, it's all BiaB.

I'd recently picked up Pana, which is a panning VST from Klevgrand. I threw it on most of the tracks to see if I liked it better than the Panagement VST, which I usually use to place instruments into a more "real" space. I was going to buy the Valhalla VintageVerb and play with that, but I was in a hurry so I used the Abbey Road plate instead. Hopefully everything isn't soaked in reverb.

My ears are still congested, so I'm not sure how good the mix is. And I'll normally go through the vocal and hand-edit it and normalize it. But once I start working on that, it can take hours. I'll probably go back and clean it up more in the future, so feel free to make suggestions.

-- David Cuny
My virtual singer development blog

Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?