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Joined: May 2008
Posts: 411
Journeyman
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Journeyman
Joined: May 2008
Posts: 411 |
Hi Ian,
For what it's worth, my opinion is that you have some serious song writing skills, and I don't find the lyrics too heavy at all. Very enjoyable on all counts. If this were mine, I probably would play around with the panning, mix and effects a little, perhaps even adding a bit of 'verb here and there. :>) But by and large, I think this is darn good as is. Thanks for sharing.
Jim
I'd be completely happy if I had just one more guitar.
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Expert
Joined: Jul 2000
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Thank you for that Jim. I have a tendency to panning out to about 40/-40. Where I run in to trouble with my dwindling hearing (one step from a Cochlear Implant) is actually noticing the effects of reverb. Of course I trust better ears. I'm always amazed how most Country singers have so little apparent reverb - like Alan Jackson. Am I not hearing it  Good to hear from you. Ian
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Joined: Dec 2009
Posts: 378
Journeyman
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Journeyman
Joined: Dec 2009
Posts: 378 |
Ian, this is fine work- really great. When I read the amount of lyrics I thought I may be in for a long haul. Poetry type of lyrics often don't wind up making a good listenable track. You've accomplished it though. And you did it the tried and true way- what I call ear candy. There has to be something that takes the listener along each step of the way. This track builds perfectly, ebbs and flows, and most importantly, supports the heartfelt lyric at all times. There's always something to keep it wonderful, going on throughout the entire track. Kudos on a superb job Ian. This one evokes FEELING. Sorely missing these days.
A+
Dan
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Hi Dan Interesting that you noticed the poetic "blank" verse. First comment I've ever had on that. Must be subtle. I never realized I was writing the majority of the lyrics that way - seriously.  They just seemed to fit the chord change pattern. It was in a discussion about rhyme with one of the other PG Forum writers that I suddenly looked at the song and said "where's the rhyme". I like progressively developing the arrangement - ear candy, yes. Keeps the interest for the listener even though they may not realize it. It's kind of a callous way of looking at song production, but one of the bigger names in Nashville says that the radio station owners are only interested in a song that will keep the listener's attention from the Coke to the McDonalds commercial. Ear Candy, slow unfolding lyrics . . .whatever works. Ian
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Joined: Aug 2003
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Veteran
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Veteran
Joined: Aug 2003
Posts: 3,079 |
I REALLY like that, Ian, your picking is excellent, but what do you mean by "input by guitar controller"?? Did you use use a midi guitar and then convert the midi to audio?  I enjoyed the song tremendously.
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Hi Gibson
The picking was input from a midi guitar controller setup - Roland GK-2A via the Roland GI-10 guitar midi interface. The only downside is of course the midi guitar voices. It was recorded in PowerTracks many versions ago. Were I to do it again - think I will with other songs - I would make sure that the resolution was set at least at 480 maybe even 960 - it would make allowances for my picking timing.
Also there is alot of pitchbend info stemming from the input, and depending on "sensitivity" setting in the interface you can get a lot of glitches. The playing has to be very clean - mine wasn't especially. Tried to keep the timing as natural as possible by NOT quantizing, and sliding notes that were really off tempo. The midi was then converted to audio and I did what I could with plugins to warm the sound a bit.
Would have miked my J45 but my ears are not good enough to get a good sound any more.
I'm glad you enjoyed the picking and the song. Thanks for commenting
Ian
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Newbie
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Newbie
Joined: Aug 2010
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This is just the song for me, I am still waiting to find her. Thanks, it is beautiful.
Arie from South Africa
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Ian, that's a very strong song, well arranged and recorded, with great vocals and guitar work. I'd have put the brush drums up a tad in the mix, but that's being really picky!  I really enjoyed it. Thanks for bringing this one.  John
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Thank you John for your checking out the song link.
Much appreciated your kind comments about the song and production.
I will check out the brushes. As I've mentioned before, these are
details which my poor hearing misses.
Cheers - Ian
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Peter Gannon Talks Band-in-a-Box with zplane
zplane recently interviewed Peter Gannon, the founder and creator of Band-in-a-Box, about the software's early days, what sets it apart from AI, how zplane's audio algorithms are used in Band-in-a-Box, and more!
Special thanks to the team at zplane for their continued support.
Check out the full interview here: https://products.zplane.de/blog/peter-gannon-interview-pg-music
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Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
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Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
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