Thank you DC. That description of the good pumping is on target, because that's what it does.

In the Andrew Scheps omnichannel plug in that I happen to be using on my parallel master there are a lot of goodies such as compression, and various tools that add punch and sparkle to the main instruments that are flowing through this parallel master.

But this sound is not applied to the entire Master just the parallel Master which I don't have mixed all the way up.

The cool thing is that you can pull this fader up and down until you get the precise mixture of punch and ambience that you want overall. So for me this idea is kind of a game changer it opens up a lot of new possibilities.