Know you've already got your answer (thanks, Mario!), but this is a cool chord sound I play with a lot because I like the harmonic ambiguities and the open E/B strings. In simplest form, this progression can be thought of (and entered into BiaB) as DMaj7, GMaj7, A6, GMaj7. But depending on the rhythmic placement of the pulled of notes on the B string, other variations (Dadd2 for example) might be more appropriate.


DC Ron
BiaB Audiophile
Presonus Studio One
StudioCat DAW dual screen
Presonus Faderport 16
Too many guitars (is that a thing?)