Originally Posted by Matt Finley
I will continue to test both tools.
Great! And I hope you report your results so we can all continue to learn. We are talking about and ever-changing landscape and the wind doesn't always blow in the direction the lioness wants wink

As for SongMaster Pro, the performance I got from it, as I mentioned, was pitiful. You can't expect glowing customer reviews if a product produces gaping holes in the seperated bass stem, even if the source audio is compressed. I've worked on software product development and you have to do your requisite homework to be successful as determined by the marketplace.

The good news is that Mr. Schnurrenberger and his team appear to be motivated and engaged, which is precisely why I asked Dan to consider forwarding a link to my SoundCloud file for him to observe my result using S1. Negative (but honest feedback) is a valuable commodity indeed.

But better yet, Mr. Schnurrenberger could join this forum and observe feedback on SMP first hand . . . that's what I would do.


https://soundcloud.com/user-646279677
BiaB 2025 Windows
For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.