Originally Posted by JohnJohnJohn
How does it compare to the built-in harmonies of Nectar? I've tried those and always end up leaving them out of the mix because they don't sound natural enough to me.

I listened to the Trivox demo and, based on that one clip, it sounds pretty good for a modern pop song where the harmony is used as a vocal effect rather than an actual second singer. But I'd like to have it sound more like another singer harmonizing.

Anyone here have a demo of how they've used it?
Yes. Check out my latest song in the show case. It comes in slightly into the song. I have the levels down a bit. 50% on the 3rd above. The other 2 are octave below and above but lower for fattening only.
Originally Posted by David Snyder
I purchased and checked this out and yes it is cool in a way, but I have not figured out what to do with it yet.

I myself am not a big fan of any kind of synth voice because they always sound too "fake" for me. I know this is just me, and all, so no reason to argue. I know I am the oddball here, and "to each his own" and so forth. Got it. But I would rather hear a real imperfect human voice with mistakes in it than a perfect synth voice that sounds fake any day of the week.

But I have not given up. I will keep experimenting. Have you found a way to tweak them so they don't sound so "synthy"?

Maybe if I put them down lower in the mix I could find a sweet spot. But I have no found that sweet spot yet.

Other than that, I am very impressed with what it can do. All good on that front.

Use it on your vocal track for harmony. It's not limited to vocals. Experiment with it for any other monophonic instrument. It gets weird when you use it for chords.

You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.